Azn Badger's Blog

What About the Lysine Contingency…?

Garo Is Back!!!

It’s been more than 5 years now, but Garo is finally back on Japanese television!

For those who are unaware, (and I know there are lots of you) Garo was a tokusatsu series that came out back in 2005.

At the time, I had just entered college, discovered bit torrent, and was just beginning to rediscover my love for the genre via shows like Ultraman Nexus and Kamen Rider Kabuto.

I’d always loved tokusatsu, growing up with Godzilla movies and Power Rangers on TV, but it wasn’t until I got into college that I really began to understand how deep my love for the genre ran.

In many ways, you could call 2005 my own personal perfect storm of dorky self-discovery.

That being said, I think a lot of what got me to start following tokusatsu shows again, was the superb level of quality that many of the shows around the mid-2000’s represented.

In my eyes, other than the older shows like Ultraseven, Ultraman has never been as good as it was with Nexus.

Similarly, Kamen Rider V3 and Black will always be my favorite iterations of the character, however Kabuto and Den-Ou easily represent the best it’s been in the past decade or so.

You really expect me to watch a show about a motorcycle riding rocket shuttle-man? Try again Toei.

That being said, as much as I loved these shows at the time, in my eyes it was a brand new series, Garo; that represented the cream of the crop.

Boasting superior production values, a more serious tone, a strong cast, and a surprisingly deep universe; Garo was the show that kept me coming back to tokusatsu despite several consecutive years of less than stellar programming.

I guess you could say I kept wading through shit like Ultraseven X and Kamen Rider Kiba in the hopes that they could somehow live up to the benchmark set by Garo.

*Sigh* Few shows excelled in the realm of suck-age and melodrama than did Ultraseven X…

I think a large part of what made Garo so special, was the fact that it was the product of director/writer/artist Keita Amemiya’s truly wondrous imagination.

Over the years I’ve seen nearly all of Amemiya’s movies, and while many of them are poorly scripted and acted, the man’s art design remains some of my favorite in all of film.

Case in point, Zeiram, one of the most iconic characters in Amemiya's portfolio.

I’ve always said, if there was one director I’d like to see be given a chance to work with a Hollywood budget, it’d have to be Keita Amemiya.

That being said, Garo represented a rare occasion wherein the script, costuming, and effects all came together exceptionally well.

The characters were memorable and arched very nicely, and unlike many tokusatsu shows that run out of steam later in the series, the 25 episode length proved to be just about perfect, even if the last episode turned out to be 30 minutes of pure action.

Not that I have a problem with that sort of thing.

In the intervening years since Garo wrapped, a pair of movies have been released, but no series was announced until a few months ago.

The first of these movies, the 2007 Beast of the White Night, stands as perhaps the crowning achievement of the franchise.

It’s action-packed, accessible, concise, exceptionally imaginative in terms of effects and stunt work.

The second movie, the 2010 3D film Red Requiem, is currently on my hard drive, though I have yet to watch it.

I’ve heard it’s kind of a misstep when compared to the level of quality yielded by everything that’s come before it,

When everything else in the franchise is nothing short of “excellent” though, I’d be curious to see what a “misstep” looks like.

That being said, as of a few weeks ago, Garo has returned to Japanese television in the form of Garo Makai Senki AKA Garo Supernatural Chronicles.

I’ve only watched the first episode so far, but it appears the series is on track for greatness once again.

The original Garo hit it’s stride for me around episode 7, and then only continued to get better from there, especially in episode 9 when they finally gave the character a bad-ass theme song… And a horse:

So far Makai Senki is a little on the slow side, definitely making more use of the horror elements in it’s storytelling than the action, but time will tell if it ascends in quality from here or not.

Regardless, I’m just glad Garo’s back, as now I finally have something to fill the tokusatsu gap in my life.

I gave up on Kamen Rider after Den-Ou on account of every show sucking balls after that.

I gave up on Ultraman ’cause frankly, they don’t make Ultraman shows anymore, just silly, over-budgeted movies.

I never gave up on Garo though, so here’s hoping they didn’t give up on me.

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More Footage From My Adventure In The Woods

The clip above was taken on July 2nd when I was out in the woods with my buddies.

As I mentioned before, we had one helluva’ bonfire going out there, so naturally one of us took it upon themselves to snag a flaming stick from the fire and start swinging it around like Conan the Barbarian.

What can I say, boys will be boys…

As it so happens, the guy swinging the stick around in the video has a fair amount of training in kenjutsu; which is likely the reason for him making such a fundamentally simple activity look so damn awesome.

Anyway, I was starved for words today, so I figured I would share this clip with you.

Hope you like the song!

Filed under: Comics, Tokusatsu, Uncategorized, , , , , , , , , , , , , ,

MASSIVE Summary of Mega Monster Battle: Ultra Galaxy Legend, Part III

Welcome back everyone!

Where we last left our heroes, they were fighting for their lives at the Space Graveyard against the evil Ultraman Belial’s army of 100 monsters!

How will they make it out of this one? Read on to find out!

Some time during the “Mega Monster Battle,” the movie takes a break to check on the ZAP crew, and what they’ve been up to all this time.

Hey, remember these guys!? Yeah, me neither...

Turns out, they’ve been sittin’ around with their thumbs up their butts.

In fact, despite all the time that’s passed, they’re just now discussing the idea of tracking down Rei.

Unfortunately, it is revealed that the Space Graveyard is light years away and would take decades to get to anyway, OH MY GOD LOOK!!! A SPACE DRAGON!!!!!!

.... I got nothin'.

Oh well, I was getting bored of that conversation anyway.

Well, turns out this, uh, space dragon, is called Space Dragon Nurse, and apparently it works for Belial, cause it goes after the ZAP crew’s Pendragon ship like they stole from it.

Eventually, Nurse catches up to our heroes and coils around their ship, viciously constricting it in the process.

Then, for apparently no reason at all, Alien Zetton decides to join the party, teleporting into the hull of the Pendragon.

His first action is of course, to start waving a gun around like a chump.

Well now, I don't see how pointing a gun in everyone's faces in going to help blow up their ship any faster, but okay.

With Zetton bein’ all gangsta’, Nurse crushing their ship, and all of the universes’ Ultramen apparently off doing more important stuff, things look crazy bad for the ZAP crew, when out of nowhere, another plot convenience arrives to save the day!

And I thought he looked dumb BEFORE he bleached his hair...

Behold, Shin Asuka AKA Ultraman Dyna!

Now, normally this wouldn’t be a big deal, after all, Deus Ex Machina is the name of the game in Ultraman movies, but in this case, Dyna’s not even from the same continuity, the same universe as the other Ultramen.

Oh yeah, and he was a clown-ass bitch that nobody liked in the first place.

Whatever… Anyway, Asuka beats the tar out of Zetton, then elects to TELEPORT our heroes to the Space Graveyard to lend a hand in the battle against Belial.

How convenient.

Oh wait, but first Dyna has to blow the shit out of ‘ole Nurse:

Nurse go boom!

We then cut back to the battle at hand, where we are treated to a sequence wherein Rei takes on a number of human-sized monsters, well, after he transforms into his Super Saiyan, I mean Reionix form.

... You sure he's not related to Ultraman somehow?

Following this little skirmish, Belial and Rei once again pick up their “Join the Dark Side” conversation, only this time, I shit you not, Rei actually gives in!

That’s like Darth Vader bein’ all like:

"Yo, Luke. Join the Dark Side n'shit."

Then Luke bein’ all like:

"Man, fuck dat' shit, FUCK YO' FAAAAAAACE!!!!"

Then Darth bein’ all like:

"Yo, c'mon dawg, foh' real."

Then Luke bein’ all like:

"Yeah okay, sounds fun."

ANYWAY, Rei freaks out and turns into a Dark Reionix or some shit, presumably because he gets too pissed off or something.

Consequently, this also causes Gomora to go Super Saiyan, as well as totally batshit crazy, meaning he starts focusing his attention exclusively on the Ultramen.

Oh yeah, and that worthless piece of CGI crap, Ritora, is nowhere to be seen.

"How nature says, do not touch."

Gomora proceeds to clean house as Ultraman Dyna and the ZAP crew finally show up just in time to calm Rei down.

I gotta’ say, Captain Hyuga has probably the craziest and most awesome entrances I’ve seen in awhile.

Right after he tells the pilot, Haruna, to land, he goes and does this:

HOLY FUCKING SHIT.

He jumps out the fucking ship!

What follows is an embarrassingly melodramatic and LONG sequence wherein the ZAP crew all try to stage an intervention for Rei by physically restraining him and repeatedly calling out his name.

Yeah, ’cause I’m sure that’s exactly what the specialists do when uncle Jeb won’t put down the crack pipe.

Despite this, I have to say, things do wrap up pretty epic-ly as Captain Hyuga slow-motion smacks Rei back to his senses.

WAAAAAAAAAAATAAAAAAAAHHHHHH!!!!!!

During all this chaos however, Ultraseven gets low-blowed by Belial, resulting in him being incapacitated moments after throwing his Eye Slugger into space.

Because Dyna is a cock-goblin, and couldn’t possibly make up for the loss of Seven, our heroes immediately start falling behind in battle.

Cut back to Ultraseven’s son and Leo off in space training.

During their sparring match, a cute little red alien, Pigmon has been hopping around in the background, being well, cute.

Not sure "cute" was the best word...

At some point, Pigmon is almost crushed, however, Seven’s son manages to step in just in time to save him.

Apparently Leo was counting on this happening at some point, ’cause he calls an end to their training session, declaring his pupil ready to be a real Ultraman.

Ultraman King finally makes his presence known to everyone, throwing out a few inspiring words in the process, then sending Seven’s son, who apparently wasn’t aware of who his dad was, on his way after Seven’s Eye Slugger (that mohawk blade on his head, c’mon man, try an’ keep up) crashes on the training planet.

With that, Ultraman King orders Seven’s son’s armor removed, then promptly sends him on his way to fight Belial.

Curiously enough, despite the universe being at stake, Ultraman King, Leo and Astra don’t so much as call a cab.

Oh well, it’s only the universe, not like we can’t just get another one of those.

Cut back to Dyna chugging the cock with a smile:

Only Dyna could elect to take on 100 penises at once...

Just before Dyna drowns in all that cock sauce however, Ultraseven’s son FINALLY shows up, blowing up a half dozen monsters and rescuing his father in one fell swoop.

With that, Ultraseven’s son is finally revealed in full, declaring himself Ultraman Zero:

And wouldn't you know it, he actually looks pretty bad ass.

Check back tomorrow for the exciting conclusion of Mega Monster Battle: Ultra Galaxy Legend!

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MASSIVE Summary of Mega Monster Battle: Ultra Galaxy Legend, Part I

Alright everyone, here it is, the article that set me 2 or 3 days behind schedule with my writing.

Yesterday I posted pretty much the closest equivalent to a review of Mega Monster Battle: Ultra Galaxy Legend, that I possibly could.

The movie is pure eye-candy, and was definitely made for fanboys and kids.

Being as I consider myself pretty much both of those things in regards to Ultraman, I don’t feel qualified to write a full-on review for this movie.

Nah, that’s bullshit.

Truth of the matter is, I’ve never encountered a film so entirely devoid of structure and plot, while at the same time so visually exciting; and to be perfectly honest, I simply don’t know how I feel about the experience.

That, and this took a crazy long time to write, and frankly I don’t feel like putting any more time into Ultraman stuff right now.

Oh well, get settled in, ’cause what follows is a MASSIVE scene-by-scene summary, almost like a slideshow (if I could use plug-ins with my blog, I would hella’ make one).

*Ahem!* Spoilers Ahead.

Man, it's like their language was created specifically for making awesome title screens...

The story of Ultra Galaxy Legend is very straightforward, and is pretty much explained to us over the course of one exposition heavy scene.

Unfortunately this scene doesn’t come until a half an hour into the film, so bear with me until then.

The movie begins with an homage to the original Ultraman TV series, by dropping us into a fight between Ultraman Moebius and Bemura, the first “monster of the week” featured in the very first Ultraman episode EVER.

"From off the top rope!"

After a somewhat awkward battle, wherein the choreography is much faster and less pose oriented than in perhaps any other Ultra movie, we’re treated to a montage sequence explaining the who’s who and what’s what of the Ultra and Ultra Galaxy universe.

A scene from the opening titles of CSI: M-78 Nebula.

The whole montage bears a striking resemblance to the one featured in Godzilla: Final Wars, complete with similar synth-heavy background music and flashy posing by all of the featured characters.

Now THAT'S a posse.

In fact, the whole movie bears a certain resemblance to Final Wars, but that’s a discussion for another time.

In between beats we are treated to a few brief scenes of life in the M-78 Nebula, in the Ultra homeworld of the Land of Light.

The Land of Light

These scenes do a wonderful job of showcasing just how far the visual effects have come for the Ultra series, as well as do a fair amount to flesh out the previously only barely seen M-78 Nebula.

Watching Ultraman Taro oversee the training of a bunch young Ultramen brought a smile to my face, as well as a few bad memories of the Star Wars prequels‘ jedi academy scenes.

I wish my teachers wore fucking capes...

Moving on, our story begins with Alien Zarab, a shape-shifter that famously terrorized the original Ultraman way back in 1966, showing up at the Ultraman equivalent of the Phantom Zone, with gadget called the Giga Battle Nizer in tote.

After storming the Ultra prison, Zarab frees an evil Ultraman named Belial, (you can tell he’s evil ’cause he’s black and red and has claws) apparently with the intent of joining forces with said evil Ultraman.

Um, not sure if I would trust that guy...

Yeah, Zarab gets to speak maybe 3 sentences before Belial shoves the Giga Battle Nizer up his ass and out his mouth.

Before Belial can leave the prison however, Taro and a bunch of no-name Ultra’s show up with the intent of putting the bunneh’ back in the box.

"Why couldn't you put the bunneh' back in the box?"

Of course, with Cameron Poe nowhere in sight, Taro and his troops get smacked around something awful.

I swear, Taro’s Ultra goombas get flipped and thrown into pretty much every wall and all-around hard surface available during this fight.

Yup, whole lotta' this...

Like watching a WWF tables match where everybody’s a Dudley Boy… and the ring is made of tables.

With this, Taro gets desperate, chugs a 5 Hour Energy, and spears Belial right off the fucking cube, down through the atmosphere, and down onto the Ultra homeworld’s surface.

Then things really get cool.

Okay, maybe not THAT cool, but still pretty cool nontheless.

Belial takes on virtually every Ultra character from the M-78 Nebula, all at once.

The choreography is hard-hitting and well shot, with very energetic camerawork that is creative, but never dizzying or confusing.

Most impressive however, is the fact that fanservice is kept to a minimum during this scene.

Well, kind of anyway.

Belial tangles with Ultraseven 21 and Ultraman Neos. Oh yeah, and some no-name Ultra Grunts too.

Despite nearly every Ultra taking part in the fight, only a scant few actually pull out any of their trademark moves, and for the most part, everyone is portrayed as nothing more than chaff getting in Belial’s way.

Color me surprised when I saw Ultraman Powered and Great kicking around in there.

Yup that's Great about to get kicked there on the left, and that's Powered on the right doing more than he ever did with an entire season of his own show.

Would’ve thought Tsuburaya would prefer to forget about those two…

Anyway, somewhere amid all the chaos, Ultraman Moebius gets tossed up into the stratosphere.

With most of the lesser Ultras cast aside, the original Ultraman, Zoffy, and Seven show up in their pimp capes and get a few nice moments to shine, as they should.

Pimp to a degree only the truly PIMP can acheive.

Ace, Jack and 80 do too, but 80’s appeal consists of being able to put both the balls and the cock in his mouth at the same time, so needless to say, I really didn’t care.

Plus, none of them had pimp capes.

After flattening all the Ultras, Belial makes a move to steal the Ultra Spark, which is apparently the source of all Ultra power.

"OH, MY BELOVED ICE CREAM BAR...."

Before he can get to it though, Ultra Father shows up and is all like:

"Git' yo' fingahs' out my cookie jar, son!"

Belial ain’t havin’ none ah’ that, so they throw.

Father lands a few nice knife-edge chops, but eventually Belial gets pissed and starts no-selling his bumps.

Belial manages to get the upper hand, and after SHOOTING TARO IN THE FACE, and bitch-slapping Ultra Mother, saunters over to the Ultra Spark and straight up jacks it.

Now, apparently the Ultra Spark really is the source of all Ultra power, ’cause once it’s gone, the whole damn planet starts to freeze over. Like, real fast.

It's like "The Day After Tomorrow", but with Ultraman!

With the Ultra planet freezing fast, Taro takes drastic measures and sets himself ON FIRE (don’t worry, he does that sometimes) so he can preserve the last vestiges of the remaining Ultra Spark power.

With that, Ultraman and Ultraseven manage to shield themselves from the wave of ice, while everyone else, Father and Mother included, gets frozen solid.

Yeah, the two most popular characters in franchise history manage to avoid getting frozen. Didn’t see that coming.

We are now 20 minutes into the film.

Check back tomorrow as we move into the 2nd act!

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A Few Thoughts on Mega Monster Battle: Ultra Galaxy Legend

Ladies and gentleman, let it be known that when it comes to crafting an Ultraman film, there is such a thing as too much action.

Mega Monster Battle: Ultra Galaxy Legend clocks in at a trim, 90 minutes in length, with about all but 10 of those minutes being devoted to over-the-top fights and flashy, green-screened eye-candy.

Like most Ultraman and tokusatsu features, Legend’s dialogue consists almost purely of cliches and “isms” of the genre, none of which is spoken at a volume that could be described as anything less than “epic.”

“If we all try our best, anything is possible!”

“Everyone, distract the final monster with your trademark attacks so the brand new, crazy-overpowered guy can go Super Saiyan and land the final blow!”

*Everyone exchanges nods*

“Un!”

*Final monster is killed*

“NOOOO!!!! THIS CAN’T BE! I’M INVINCIBLE!!!!!”

Go ahead, sit down and watch the film with a checklist. If it’s been said before in a kid’s anime, I guarantee you it’s in there somewhere.

Okay, so we’ve established that the film is action-packed, flashy as fuck, poorly written and acted, but what does that all add up to?

Um, not quite, but it shows your thinking.

Basically, the movie amounts to little more than fanservice, and lights with sound.

Not exactly the best description a movie could hope for, but entertaining in its own right.

While movies like Transformers 2: Revenge of the Fallen desperately plead for their audience’s attention with scene after scene of unfunny comic relief loosely stringing together scenes of robots fighting, Galaxy Legend takes the road less traveled and delivers an experience virtually devoid of dialogue, comical or otherwise, but is instead packed to the brim with action and fighting.

I’ve heard some people say that the Transformers movies were a let down in the sense that the one thing a movie based on the franchise should’ve been able to promise it’s viewers, was scenes of robots fighting.

Despite this, both films in the series largely dropped the ball in delivering on this promise.

Though Galaxy Legend is not a good film, and is definitely not a whole lot better, if at all, than any of the Transformers movies, I will say this:

The makers deserve a pat on the back for actually delivering on what they promised to give us, even if it wasn’t much.

On the inside cover of the DVD case there is a movie program printed on heavy cardstock.

Inside this program, there is a list of 5 key points that the makers of film outlined as it’s finest acheivements:

(Apologies for mistranslation on my part, my Japanese ain’t so hot)

1. Pitting the Ultra Heroes against 100 monsters.

2. Creating a villain born on the M-78 Nebula, Ultraman Belial.

3. Giving Ultraseven a son, Ultraman Zero.

4. Creating an entry in the Ultra series with state of the art visual effects and “hard” action.

5. Creating a story based exclusively around the Ultra characters and the Land of Light.

Despite the overall quality of the movie being pretty “meh”, the guys at Tsuburaya managed to complete every goal they established for themselves.

Oh yeah, and the effects and fights were easily the finest in franchise history.

Well done gentleman, well done.

Sorry for the late post today, got held up by Iron Man 2 and Mother’s Day stuff!

Stop by tomorrow for a massive, scene-by-scene summary of Mega Monster Battle: Ultra Galaxy Legend!

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Long time no see Ultraman

I miss Ultraman.

Ultraman has been absent from the airwaves since 2007, replaced by the Pokémon-esque, Ultra Galaxy Mega Monster Battle… and the follow-up series, Ultra Galaxy Mega Monster Battle: Never Ending Odyssey.

While Galaxy is a decent enough show, with a fun concept and plenty of kaiju battles, the acting and production values feel decidedly below average for an Ultra series. This, coupled with a distinct lack of Ultraman blowing the shit out of monsters has led me to give up on Galaxy for the most part.

Let me put things into perspective for you:

I grew up watching Ultraman.

Not only that, the first show I ever watched was the outsourced, Australian iteration, Ultraman Towards the Future, which is universally regarded as one of the worst Ultra series of all time, second only to the American Ultraman Powered.

Despite this, as a child I loved it! I remember waking up at obscene hours of the morning to to catch one of the 13 episodes every weekend, (kind of like how we all used to watch the same 2 or 3 Ren & Stimpy episodes every weekend) and loving every minute of it. To this day, I still have some of the action figures, the playset, and even the terrible Super NES game.

Whatever, this stuff was the shit when I was 5.

As a child Ultraman died to me the day he started airing at 5 AM on TNT.

I remember getting psyched after seeing a commercial for Ultraseven, where a giant ape man shot blue lasers out of his eyes, and Ultraseven struck a pose and yelled: “YAH! YAH! YAH! YAHHH!!!!”

With Ultraman Towards the Future still fresh in my mind, I tried to wake up to see Ultraseven at 5 in the fucking morning.

No simple task for a 6 year old with no alarm clock.

Naturally, I never got to see Ultraseven.

For about a month straight, I remember getting out of bed, running out into the living room and flipping on the TV, only to find that Ultraseven was not on.

A few times I remember seeing some scary shit on in that time slot, I remember some movie about creepy old Native American ladies with bleeding eyes scared me back to sleep one time.

Knowing me, I probably just mixed up the time slot for the show, but unfortunately I never got to see that awesome commercial again, so I never found out.

Haha! Yeah, that's the one!

Following this, I abandoned my love for Ultraman for a very long time.

I remember Ultraman Tiga aired on Fox Kids when I was in middle school. Unfortunately, I was 12, and was thusly too “cool” for Ultraman. Guess I was too busy failing at swearing (“Shit balls! Damn, fuck-sauce!”) and being fat to care about Ultraman.

Then a funny thing happened.

Flash forward to 2005: I’m in college. I’m bored. I’m finally getting old enough to the point where looking back on life holds meaning. I’m finally old enough to admit that I miss Ultraman.

So what do I do?

I learn about this new fangled invention called “torrenting” and type in “Ultraman” as my first query.

Much like my experiences in the 90’s with the Heisei Godzilla series, I was very much surprised to find that Ultraman had carried on just fine without me.

Ultraman Max served as my ambassador back into the world of Ultraman. Max was good fun. Every episode was colorfully executed with obvious enthusiasm. The cast was smaller than most Ultra shows, but in many ways I feel that was its strength. Every character was well defined and seemed to serve some purpose, even that haole guy, Sean.

One of these things is different...

I loved how schizophrenic the show could be at times.

Directors and storylines rarely lasted more than 1 or 2 episodes, resulting in a show that changed identities and mood from week to week, and quite successfully at that.

I remember being genuinely impressed by both of Takashi Miike’s episodes: “Miracle of the Third Planet” and “Who am I?”, the former being one of the most dramatic episodes in the series, and the latter being the funniest.

Most impressive to me is the fact that I don’t even like Takashi Miike, I’ve always thought of him as being seriously overrated.

I never finished Max, but it remains one of the my favorite series.

Unlike this 'merch hawking whore...

After I was done with Max, I took a step back and decided to watch the much heralded Ultraman Nexus from the previous year.

Nexus was a revelation. It did all the things Ultra series don’t do.

It worked from a single continuous storyline.

It was consistently serious in tone.

It had monsters that took entire story arcs to defeat.

It had a budget and was spectacular from beginning to end.

Nexus represented a great experiment in trying to tweak the format of the Ultraman series. From what I’ve heard, it’s deviation from the status quo caused it to lose a lot of fans, but for an older, wiser Azn Badger, it was just what the doctor ordered.

Good God, someone get that child away from there!

Around this time I started following the Ultra movie series with the release of Ultraman: The Next.

It was pretty good, with exceptional effects work, great suit designs, and a killer soundtrack by the lead guitarist of B’Z, Tak Matsumoto.

There was some hokiness to it in the form of lame homages to the Top Gun anthem on the soundtrack, and an oddly placed freeze frame moment, (“MAKI!!!!!!) but for the most part it was a good time.

Oh yeah, and it tied into Nexus, so yeah, brownie points there.

Skip to 5:08 for “MAKI!!!!!!!!!!!!!!!!!!!!”

Ultraman Moebius (yes I know the Japanese phonetics have it as “Mebius“, but fuck that noise) represented another falling out between Ultraman and I.

I don’t know if it’s because I got too old, or was fatigued from all of the Sentai and Kamen Rider I was watching at the time, (Den-Ou! WOOT!) but something just didn’t click for me.

I remember liking the feel of the show, and how it paid homage to the Ultra shows of old through its use of sound effects and intentional use of outdated special effects (even more low tech than usual), but as a whole, the show just kind of felt, well, lame.

The characters were varied and well-defined, but for the most part it just felt like a bunch of airhead pop-stars with an absurd amount of inane high school drama and baggage that somehow tied into finding the methodology necessary to defeat the monster of the week.

Yes, I am aware that I just summarized pretty much every Sentai or Ultraman show ever, but what I mean to say, is that this felt particularly pronounced in the 14 or 15 episodes of Moebius I managed to watch.

You see what you missed out on? Moebius punching Birdon in his chin balls, that's what!

I think part of why I didn’t really care much for Moebius, is that the action felt kind of tame in comparison to Max, Nexus, or even Gaia.

The camera work was typical of an Ultra series, with lots of on-rails camera movement, and lots of zooms to highlight the action, but for the most part the choreography felt less complex and somewhat slow.

Nexus contained some really visceral and intense fight sequences throughout, largely highlighted by the Ultra on Ultra fights with Dark Mephisto and to a lesser extent, Dark Faust.

Max on the other hand, featured choreography with a lot of character to it.  The fighting was conducted at essentially the same pace as in Nexus, but given the quirkiness of the storylines, and the overall light tone of the series, much of the choreography allowed the suit actors to do a lot of pantomime that really added to the fun.

Whoever the suit actor for Max was, I’d like to shake their hand.

Although I would be even more honored to shake this man's hand. No, the guy on the right, dumbass.

Despite my general dissatisfaction with the series, Moebius proved popular enough with the kiddies to have a few movie tie-ins, the first of which being Ultraman Moebius & The Ultra Brothers.

I felt it was actually very good, good enough for me to own without feeling shame.

The second one however, Superior Ultra 8 Brothers, was not so hot. Aside from some splashy effects work, I felt like the story was a little bit too fantastical and far fetched, even for little kids.

Oh yeah, and as good as the effects could be at times, the fight between Moebius and King Gesura was embarrassingly hideous to look at. *Shudder* Gives me the willies just thinking about it…

In short, Ultraman Moebius was alright, probably worth watching for most fans, but not really my favorite. Which leads us to a series that I did finish, but really wish I hadn’t…

Ultraseven X was the last “proper” Ultra series, and in my opinion, it’s spectacularly epic shittiness was most likely the reason we haven’t seen an Ultra series since 2007.

It was a miniseries, it tried to be “edgy” and “different”, and for the most part it sucked a big, fat, Blackanese cock.

When I first saw the production stills for the show, I was mightily impressed by the suit design for the title character… and little else. The characters were bland and needlessly quirky, (tough girl with chocolate addiction, huh?) and the theme song was truly terrible ENGLISH J-Rock song that was as forgettable as it was skippable.

From the first trailer it was clear that the show was attempting to create a mood of sorts, unfortunately the costumes, props, and sets were a far cry from the standard set by GARO (FUCK YEAH!) the year before, and thusly, it came across as a pale imitation.

In case you couldn’t tell, Ultraseven X was a fucking disaster.

For an example of pretty much everything shitty about Ultraseven X, click below:

The action was sparse and uninspired and story was convoluted and full of holes despite the condensed length of the series.

Oh yeah, and the soundtrack, often times a highlight of any tokusatsu or Ultraman experience, was composed of minimalist, electronic turd-fuckery.

To be fair, Ultraseven X could’ve been alright had it been shot as an Ultra Q series and omitted any traces of Ultraseven or kaiju battles in general, but as it so happened I was left with a seriously sour taste in my mouth after watching it and desperately needed something to cleanse my palette.

Unfortunately, it’s been 3 years and my palette has yet to be cleansed.

Until now.

Now THAT'S a poster!

Mega Monster Battle: Ultra Galaxy Legend THE MOVIE or….. MMBUGLTHM… for short.

Galaxy Legend THE MOVIE came out on DVD today and I am ready to be wowed. Reviews are positive, tickets sales were exceptional, Ultraman Belial looks like Carnage from Spider-Man, and the trailer looks FUCKING SWEET.


Yeah, don’t forget to change your undies cowboy.

I’m sure it’s not the best movie ever.

I’m sure it’s going to drag at points and have a shitty script.

Despite all this, I am excited for to see this movie because deep down, I want to like it.

I don’t want to be a cynical adult that shamefully picks apart the things he loves, I want an excuse to get back into Ultraman and be that kid waking up at 5 AM all over again.

It’s a wonderful feeling, having something to look forward to.

Outside of a brand new Ultra show featuring one of the original Ultras, (an idea I think would be a lot of fun) I can’t think anything that would make me happier than a rip-roaring, epic Ultra movie.

Here’s to fandom. I’ll let you know how the movie was in a few weeks.

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