Azn Badger's Blog

What About the Lysine Contingency…?

Battletoads Ripped-Off Duran Duran!?

A funny thing happened a few months ago.

I was at work, and a song came on the radio.

Based on the sound of the lead singer’s voice, I could tell it was a Duran Duran song; but me being me, I couldn’t really make out any of the lyrics.

You see, I have this weird, uh, “thing”, where I have a lot of trouble understanding and learning the lyrics to songs.

I’m really good with recognizing music, but when it comes to lyrics; I’m pretty epicly slow.

THIS FUCKING SLOOOOOWWWW.

Anyway, the moment I heard the opening chords of the song, long before I knew any lyrics were sung; my mind immediately screamed:

“Holy shit, Battletoads and Double Dragon is on the radio?!”

Now I feel I should mention that I’m not a “radio” guy.

Most of the shit in my music library consists of videogame and movie soundtrack stuff, with a decent amount of 80’s and 90’s rock to round things out.

The point is, the vast majority of my music isn’t aired on the radio; however whenever it is, you can bet I start jumping for joy.

For a few glorious seconds, roaming the pick aisles at the Amazon.com warehouse; I sincerely thought Jack FM was playing a track from Battletoads and Double Dragon on the radio.

Then the vocals kicked in, and I realized I was just listening to Duran Duran, more specifically a song of their’s I hadn’t heard before called “Girls on Film.”

Anyway, I just happened to learn the title of this song a few days; allowing me to present the following comparison to you.

Now remember, only pay attention to the 10 seconds or so of both songs:
BATTLETOADS AND DOUBLE DRAGON (SNES VERSION)

DURAN DURAN

Fuckin’ trippy, right?

They’re nowhere near identical, but even so, it’s hard to deny their similarities.

Anyway, I thought this was kind of fun so I figured I’d share it.

See you tomorrow!

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I’m Gonna’ Beat A Castlevania Game Goddamnit

Castlevania has never really been one of my favorite game series.

I’ve been fascinated by the series’ music and characters for a long time now, but in all honesty; I never really sat down to play any of the games.

Truth be told, the exploits of the Belmont clan, that is; their eternal struggle against Count Dracula and the forces of darkness, managed to blow right by my radar when I was a kid.

I guess I was too busy playing Mega Man and Ninja Turtle games during the NES era to have really paid mind to Konami’s whip cracking platformer.

Nah' that's a lie... I was playing Snow Bros.

That’s not to say I wasn’t aware of Castlevania.

On the contrary, I remember reading a lot about Castlevania 2: Simon’s Quest in Nintendo Power, but perhaps more importantly I remember being genuinely frightened of the cover art depicting Simon Belmont holding Dracula’s severed head.

Pictured: The cover in question.

It wasn’t so much the graphic nature of the image, blood and guts were “cool” to me even as a kid; it was Drac’s motherfuckin’ glowing red eyes that bugged me.

HOLY FUCKING SHIT!

Seriously, how could you put that on the magazine stands and expect parents to buy it for their kids!?

*Ahem!* Anyway, I remember Nintendo Power going out of their way to talk up Castlevania 2 like it was the coolest game ever, even giving it a Nester award for Best Audio.

Strangely enough, nowadays the game seems to have a pretty well established reputation as being a crytptic and poorly translated heap of garbage.

I guess people were willing to swallow a lot more shit from their games back in the day than they are nowadays…

I owned, played, and liked this back in the day. Don't ask me why...

Anyway, while I read plenty about the Castlevania games in various gaming magazines back in the day, I honestly don’t recall ever sitting down to play any of them until I was much older.

I remember reading about Symphony of the Night in Playstation Magazine, which gave it a perfect score and even went on to give it the top spot on their Best Playstation 1 Game of All Time list.

To this day, I have yet to try Symphony of the Night, largely because it’s Metroid style, backtracking heavy gameplay would likely drive me insane.

Like Zelda before it, Metroid games have always had a way of making me feel dumb and lost throughout the experience, and based on what I’ve seen of the map from Symphony of the Night, I think it’s in my best interest to stay away.

"For the love of God, I don't speak Japanese!"

Don’t get me wrong, the game looks absolutely gorgeous, with some of the most detailed and well animated sprites I can recall, (always a huge selling point in my book) but I know what I like, and I know what pisses me off, and it’s more than likely that Symphony of the Night would piss me off something fierce.

Completely dodging tremendously successful game series is not exactly a new thing for me, as evidenced by me having never played a Jak and Daxter, Ratchet and Clank, Prince of Persia, or Duke Nukem game; but in the case of Castlevania, I was always bothered by the fact that I actually wanted to play some games in the series.

More specifically the straightforward platforming games in the series I.E. the first 4, and Rondo of Blood.

Any game that includes Shoryuken-ing Minotaurs as boss characters gets brownie points in my book.

While the gothic aesthetic didn’t really appeal to me all that much, the old-school horror references, platforming action, and downright legendary music of the more traditional games in the series have always seemed right up my alley.

Hell, I’ve been listening to Castlevania music since middle school, but I only just played my first game in the series a few years ago in the form of the NES original.

That being said, while I can’t say I enjoyed my experience playing a Castlevania game nearly as much as I hoped I would have; the challenge, combined with the delightful sights and sounds left me intrigued in an oddly masochistic sense.

While I won’t be throwing down my gauntlet and saying I’m gonna’ beat Battletoads or Ghosts ‘n Goblins anytime soon, Castlevania seemed to have a reasonably challenging difficulty level that appealed to me.

The Battletoads Turbo Tunnel: SERIOUS BUSINESS.

Hard enough to piss you off, but with gameplay that feels rewarding enough to encourage you to keep trying regardless.

What can I say, I’m one of those sickos that actually liked, and beat Demon’s Souls; and is likely to do so again before picking up the sequel once it comes out.

By comparison, sacrificing a few hours of my life to Castlevania seems like fuckin’ cake.

Anyway, the point of this post, I think; is that I think I’m gonna’ challenge myself to sit down and beat Castlevania sometime soon.

Castlevania isn’t my favorite series of games, nor do I have all that much history with it, if any; this is just me saying I’m gonna’ kill me some vampires ’cause I think I’ve got what it takes to do it.

I don’t think I’ll be doing a Let’s Play, so you’ll just have to take my word for whatever accomplishments/failures I encounter.

Anyway, wish me luck!

"Pizza delivery for Mr. Dracula... Hello?... Bueller?"

 

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I Just Bought My First Rare Comic

Pictured: Hopefully this won't be me in the near future...

I don’t consider myself a “collector” of comic books.

None of the comics I own are of any value, nor do I operate from the belief that any of them will accrue any value at any future date.

Comic’s worth are typically derived from their rarity, their condition, and ultimately how limited their production run was, all factors that the current age of mass produced collected editions has done well to eliminate.

Regarding my own comic buying habits, I’m a trade-only buyer of comics; meaning I don’t purchase loose comics off the newstands.

That right there is often viewed as borderline blasphemous behavior on the part of anyone that could consider themselves a comic collector.

Thank you Collected Editions for standing up for us trade-only guys…  Oh yeah, and for publishing my guest review awhile back.

When you factor in my trade-only habits with the fact that I buy comics solely for the purpose of reading and enjoying them, you have the makings of a man that is more of a casual comic enthusiast/reader than anything else.

That being said, today I received a package in the mail that represents my first purchase of what some would consider a fairly rare or valuable comic.

The comic in question, is the trade paperback collection of the 1996 Batman crossover, Batman: Legacy.

Mmmm, rare....

The story itself is not regarded as being within the top 25 of Batman’s best, however in my case; it was the premise moreso than the quality of the writing or art that drew me to Legacy.

Supposedly acting as a follow-up to the 1993 Knightfall storyarc, an epic and sprawling story that served as one of the most important of my youth.

As I’ve mentioned before on this blog, the early 90’s were a tumultuous and ugly period in comic history; one punctuated by the creation of outlandish and violent characters, as well as the implementation of more than a few shocking publicity stunts on the part of Marvel and DC in an attempt to sustain their dwindling sales numbers.

Needless to say, “shock” was the order of the day for 90’s comic books.

I grew up watching Doomsday kill Superman.

EPIC.

I grew up watching Bane break Batman’s back.

EVEN MORE EPIC.

I grew up watching Carnage cut a swath through the Marvel universe with reckless abandon.

Fun, but nowhere near epic...

These sort of “MTV Generation” characters, and their respective homicidal antics; served as my introduction into the world of comics, and as such; I bear a great deal of nostalgia for them.

As much as comic fans tend to deride some of these characters, I for one will never get tired of them.

Except maybe Carnage, he’s kinda’ overstayed his welcome…

*Sigh* Sadly, no one stays dead in comic books...

That being said, the major factor that drew me to Batman: Legacy, despite it’s fairly substantial (for me anyway) price tag; was the fact that it features the only legitimate rematch between Batman and Bane.

The 2 have encountered one another several times since Bane’s first appearance in Knightfall, though Legacy represents the only time they actually battle one another.

Ever since I heard of Batman: Legacy several years ago, I told myself:

“That’s something I have to see.”

Like I said, the story of Legacy isn’t supposed to be anything to write home about, but the prospect of a rematch between one of my favorite DC villains and my favorite DC hero was something I just couldn’t shy away from seeing.

Not from Legacy, but a fun image nonetheless.

In the comics, it was always speculated that Batman was physically on par with Bane, with the notable exception being a disparity in their physical strength levels when Bane was on Venom.

At the time Legacy takes place, Bane has long since renounced the use of Venom, which; combined with the fact that Batman is likely in much better physical condition than he was during Knightfall, (he was severely fatigued when he first fought Bane) adds up to a contest of equals that, in my mind; has all the makings of a terrific read.

Haha, listen to me ramble on about a comic book match up like it’s some sort of real-life boxing match or some shit…

Anyway, I’ve been waiting to buy a copy of Legacy for years now, with the price being the sole prohibitive factor in me doing so up until now.

I’ve seen Legacy listed for anywhere from $80-180.

I’m sorry, but as much as I love comics, I simply can’t justify that sort of expenditure for a book.

Then again, I am known to be Azn, and therefore CHEAP:

Too expensive. I'll wait till it's on sale... And a pretty lady is selling it...

Luckily, I happened upon a listing last week for $45, which while much more expensive than any of the other comics on my shelf, even the heft hardcover ones; was a price I was more than willing to pay for something I’d waited so long to get my hands on.

Hah, I hope this isn’t becoming a trend, otherwise I might just find myself happy and surrounded by comic books.

Oh yeah, and POOR.

Anyway, as of writing this, I have yet to so much as crack this bad boy open.

Hopefully Batman: Legacy proves to be worth all of it’s $45 price tag!

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Best Boss Music #12: Spider-Man and Venom: Maximum Carnage

Maximum Carnage was a decent beat ’em up in an age when beat ’em ups were a dime a dozen.

Produced by LJN for the Super NES and Genesis, the game followed the storyline of the massive Spider-Man crossover of the same name, with the player taking on the role Spider-Man (duh), or in some cases; his nastier (and cooler) counterpart, Venom.

Aside from a rather harsh difficulty level, the only really glaring deficiency of the game, was it’s lack of 2-player simultaneous support.

Honestly, LJN product or not; nobody in their right mind should ever think it’s okay to release a beat ’em up without a 2 player function.

Behold, the rainbow of ass.

Despite this (huge) flaw, the game did offer some interesting innovations to the genre in the form of special items that bestow the player with aid from other superheroes, and Spider-Man and Venom’s decidedly spidery movesets.

The “superhero summon” system was a decent idea on paper, however the item pickups that activated the function were extremely rare, and often were only useful to the player in very specific circumstances.

I remember hating to use the “summons” sometimes, ’cause every time you did, it would trigger an annoying second or 2 long clip of the summoned character’s “theme music.”

That might not sound too bad to you, but try summoning Black Cat 5 times in a row, see what happens.

Yeah, pretty fuckin’ annoying, right?

*Ahem!* Moving on, the movesets for the 2 protagonists were pretty well thought out for their time.

In addition to the classic one button punch combos, throws, and 2 button screen clearing attacks; both Spider-Man and Venom had the ability to run, jump, backflip, (useful for finding items, hidden areas, and nothing else) climb walls in the background, block attacks with their webbing, swing from web lines, grab enemies with their webbing/symbiote, and even slam 2 enemies’ heads together ala Batman in the Batman Returns game on the Super NES.

While most of these features were elementary for the most part, the addition of the web based moves added a lot to the experience.

In addition to giving the player added flexibility to their approach to various fights, an important factor given how absurdly overpowered some of the bosses could be; the web attacks also served to make good use of the Spider-Man license.

On a side note, while some of the character art… and animations… and backgrounds; are kind of shitty, I’ve always felt that LJN did a pretty decent job with the Spider-Man, and in particular; the Venom sprites.

I said "decent," not "great"....

Not that they managed to do anything else right in the entirety of their game developing existence, but that’s besides the point…

Both are animated fluidly, though Spider-Man looks kind of weird given his oddly dick-shaped head and lack of web pattern on his suit.

I always thought it was cool how both had their own unique animations, with Spider-Man’s being more graceful and Venom’s being more brutish.

One thing that kind of sucked, was the fact that Venom was definitely the more difficult character to use than Spider-Man.

As a kid, I always picked him every chance I got, though his slightly slower attack speed and harder levels made for an experience I rarely made it to the end of.

Pictured: THE reason I rarely beat Maximum Carnage.

While Maximum Carnage was indeed only an average (at best) game, my memories of it run very deep.

I remember reading the comic arc around the same time I played the game, and to this day I feel the harsh atmosphere and violent content of the game do well to live up to the original story.

Nevermind that the comic itself was actually kind of shitty, but bear in mind; I was a young and mostly stupid Azn Badger when I read it, so Venom and a healthy dose of violence were pretty much all I needed to be impressed.

Besides my personal attachment to the source material, another silly little bit of nostalgia worth noting, was the fact that the game cartridge WAS FUCKING RED.

FUCKING. RED.

Remember the stupid fuckin’ gimmick of the golden Legend of Zelda carts?

Remember how many fuckin’ copies that game sold?

Well, my guess is LJN was hoping to cash in on the “colored cart” gimmick; and for all intents and purposes, it worked.

Just ask Killer Instinct

Biter...

I’m not saying the game sold all that well, (my guess is: it didn’t) but for me and my friends, the promise of a BLOOD/CARNAGE RED cart to shove into our Super NES’ was one that was awful tempting.

Anyway, another little gimmick, and one that I never really found any reason to get excited about, even as a kid; was the fact that LJN recruited the rock band Green Jelly to do some of the music for the game.

Now, I don’t know about you; but the only thing I really remember about Green Jelly, was the fact that they did that retardedly awesome rock version of “The Bear Went Over the Mountain” they used in Dumb and Dumber:

While that was indeed really fuckin’ awesome, please bear in mind that I hadn’t even seen Dumb and Dumber by the time I was playing Maximum Carnage.

Oh yeah, and I was a fuckin’ 7 year old kid that was still listening to a GREEN audio cassette of the Ninja fuckin’ Turtles in place of music.

Anyway, Green Marmalade did the soundtrack for the game, and I’ve gotta’ say; while I don’t really know what their songs are/were like, they did a pretty good job with the score for Maximum Carnage.

The score has an appropriately hard rock sound to it, in that the comic arc itself had a mosh pit sort of vibe to it, with Carnage’s mistress, Shriek; acting as the psychic ringmaster to an ongoing street riot in New York for much of the story.

As such, the soundtrack for Maximum Carnage has a very aggressive and sometimes dark sound to it that lends a sense of legitimacy to some of the more serious moments in the narrative.

Just listen the track they use during the cutscenes, it’s simple, but pretty fuckin’ sinister if you ask me:

Standing out as a highlight in the soundtrack though, is the boss music from Maximum Carnage.

Bearing a highly energetic tempo, the boss theme sounds very much the product of a hard rock band:

Truth be told, I really only like the first half of the track, when the primary (digitized) guitar riffs are front and center; however that isn’t to say the track isn’t great from a technical perspective.

My issue with the second half of the track, is that it comes across as being “too fun” for my tastes.

The first half sounds like the background to a fuckin’ supervillain beat down, while the second half sounds a little bit too colorful for it’s own good.

That’s just me though.

Anyway, this has been another (long overdue) installment of the Best Boss Music, tune in tomorrow!

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The Azn Badger’s Top 25 NES Tracks, #20-16

Well folks, yesterday we covered #25-21 of the Top 25 NES Tracks.

That particular tier of the list was seemingly dominated by Sunsoft games, movie tie-ins, and sports games.

Funny how shit like that works out…

Anyway, today we’re taking our first step up in quality, from the bottom tier of the NES’ best, to the, uh, “slightly-higher-than-the-bottom” tier!

That being said, let’s get down to dah’ music!:

#20. Final Fantasy

“The Prelude”


Haha!  That’s right, SUCK IT fanboys!

Final Fantasy has never really held a special place in my heart.

Neither have RPGs for that matter.

I played the original Final Fantasy as a kid, and simply couldn’t get into it.

Similar to my experiences with the Zelda series, I felt I never knew what to do, or where to go, ultimately resulting in me wandering the landscape for a time, only to run into a pack of imps and get my party of green-as-fuck level 1 heroes ass-fucked into oblivion.

 

 

That's a lot of Imps...

 

To this day, I haven’t played a new Final Fantasy since VIII, and I haven’t truly enjoyed any since VI.

Yeah, VI was the shit…

 

Name another game where you can Suplex a fuckin' Train. I dare you.

 

That being said, my lack of appreciation for the Final Fantasy series is what places “The Prelude,a classic of gaming music history as old as myself; so low on this list.

It’s a beautiful, almost whimsical piece of music, that certainly still endures to this day, but to me; it’s just the title theme of a game I hated as a kid.

Did I mention all the fanboys can suck a big fat Blackanese cock?

 

 

...Or at the very least, a big black dildo.

 

#19. River City Ransom

“Boss Theme”


River City Ransom is AWESOMELY FUCKIN’ BADASS.

Seriously man, the guys over at Technos deserve a fuckin’ Earth Badge for everything they put into The City of River Ransoming, ’cause the whole game is a work of genius.

 

 

Unlike this man, who is sadly, NOT a Real Genius...

 

You take Double FUCKIN’ Dragon, which is already BADASS as is, then throw in some AWESOMELY shitty dialogue and a leveling/shopping system, and you’ve got the AWESOMELY FUCKIN’ BADASS game that is River City Ransom!

 

 

Game writing at it's finest.

 

Excuse me, I think I just came in my pants…

*Ahem!* Anyway, River City Ransom was, and is, an awesome game that I spent hours upon hours playing in my youth.

That being said, though there are many great pieces of memorable music in the game, most notably the standard street brawling theme and the shopping music, I feel that the track that best represents the game, is “The Boss Theme.”

Full of energy and pulse-pounding drama, “The Boss Theme” invokes all of the emotions that a boss theme should.

The only other track that could possibly eclipse it, is the River City Ransom version of the Double Dragon theme, though that loses out by a hair due to the fact that, well, the Double Dragon theme actually sounds a whole lot better in the Double Dragon series than it does here…

#18. Snow Bros.

“Stage 1 Theme”


You knew they were gonna’ pop on the list somewhere, but did you really think the crack covered snow men would rank so low?

When forming this list, I did what I could to check my ego at the door and really try and place these tracks appropriately.

While I love Snow Bros., and all of it’s music, deep down I knew that, musically speaking; it’s far from a work of art.

 

Unlike THIS, which is... Probably the most terrifying thing I've ever laid eyes upon...

 

As mentioned in my Snow Bros. article, the “Stage 1 Theme” is a piece of music that I hummed throughout my childhood, such that my mother still knows the tune to this day.

It’s a wonderfully light piece of cutesy music that has a “rotundness” to it that really goes well with the chubbiness and slow-footed nature of the title characters.

I love the “Stage 1 Theme,” and it pains me to place it at #18, but sadly I simply can’t justify placing it any higher.

*Sniff!* Fuckin’ principles n’shit, makin’ me shit on Snow Bros…

#17. Battletoads

“The Battletoads Theme”


There are few 8-bit era themes as rockin’ and kick-ass as “The Battletoads Theme,” and by golly, I love every note of it.

It was tempting to put the stupid-ass “Pause Screen” music on the list as another joke entry akin to Skate or Die 2, however I managed to restrain myself.

While the Battletoads game is, as indicated in one of my previous articles, far from one of my favorite games; the Battletoads themselves are a different story altogether.

In the early 90’s, the Teenage Mutant Ninja Turtles were king.

 

 

Gods among men, they were...

 

It doesn’t take a genius to see that the Battletoads, Biker Mice from Mars, Street Sharks and Extreme Dinosaurs were all lame attempts to cash in on their success.

 

Pictured: The Ninja Turtles for the UFC generation...

 

That being said, while very little of it actually came to fruition, the Battletoads were, at one point; in line to get their own cartoon, comic book, and action figures.

Because my brother and I had a subscription to Gamepro (back when it was actually good), we caught word of this very early on, and in fact were treated to a some of the early comics printed in the pages of the magazine.

 

Yeah, something tells me it was a GOOD thing this never got aired...

 

Needless to say, the Battletoads, despite starring in a series of games that were frustratingly difficult, were pushed on me pretty aggressively as a kid.

Whoever was head of the marketing department for the Battletoads deserves a pat on the back, ’cause despite having little to no positive memories of any Battletoads games, the ‘toads still have a place in my heart.

A lot of my love for the Battletoads though, springs from the awesomeness of their theme music, which is why it sits comfortably on this list at #17.

#16. StarTropics

“Dungeon Theme”


StarTropics was and is, a tremendously fun, rewarding, and unique game.

While I never actually beat it, (got close though) I have many fond memories of watching my brother play it day in and day out.

I loved the world map, and how it reminded me of Hawaii.

 

Heh heh, it's funny 'cause it's butt...

 

I loved the goofy noise the submersible made when it dived.

Most of all though, I loved the straightforward nature of the action levels and the “Dungeon Theme” that played over them.

The “Dungeon Theme” was unique in that, while most of environments that the action scenes took place in were scary looking caves, the music was very upbeat.

It had an island, almost calypso feel to it that really got you into the action, while giving everything a colorful and inviting feel to it.

It also did well to set up the drastic change in musical tonality that would occur when the “you’re getting close to the boss” music would transition over it.

Startropics is a game series that I could see myself sitting down and playing through someday.

It’s also a series that I sincerely hope gets a continuation or remake at some point.

Here’s to hoping for a return trip to C-Island someday…

 

 

Mike Jones: Adventurer, Hero, and Banana Holding Buffoon.

 

Thus concludes the slightly-higher-than-bottom tier of the Azn Badger’s Top 25 NES Tracks!

Check back tomorrow when we finally start getting to the good stuff in the middle-tier of the list!


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The Best Track in the Game #12: Battletoads and Double Dragon

Ah, woodpaneling... So very 70's. So very, Atari...

Battletoads and Double Dragon represented a novel and innovative concept for it’s time.

Bear in mind, this was long before the days of the Marvel vs. Capcom, Mortal Kombat vs. DC Universe, and the general cross-overy nature of the Super Smash Bros. series.

Basically it's like this. I assure that's not 2 different kinds of poop.

By taking 2 action game franchises, and marrying their character rosters and gameplay styles, the folks over at Tradewest and Rare succeeded in accomplishing 2 things:

They made the easiest, and therefore most accessible Battletoads game, and they also made the simplest, and therefore worst traditional Double Dragon game.

Bear in mind, even the very worst of the Double Dragon series (which would be Double Dragon V: The Shadow Falls) is still pretty good.

Okay, I take that back. Double Dragon V was ass... The cartoon was kinda' fun though.

Put together, those 2 facts result in a game that is straightforward, fun, but ultimately kind of mediocre in comparison to the other games in it’s respective series’.

That being said, I spent a good portion of my youth playing Battletoads and Double Dragon, and I wouldn’t have had it any other way.

You see, when I said Battletoads and Double Dragon was the “most accessible” Battletoads game, what I really meant to say, was that it was the only game in the series that was playable to non-Super Saiyans or non-mutants.

Or Non-Super Saiyan Mutants!

The Battletoads series is well known throughout gaming circles as being SOME OF THE MOST DIFFICULT FUCKING SHIT KNOWN TO MAN, and as such, the majority of us mere mortals simply can’t play them without tearing out our hair and/or breaking the fucking controller.

Pictured: The Result of Attempting to "BEAST" Battletoads.

Personally, I was only able to get about halfway through both Battletoads and it’s Super NES sequel, Battletoads in Battlemaniacs, and to be perfectly honest, I don’t have a problem with that.

In fact I’m proud to say that I got as far as I did.

Pictured: The Day I Beat Battletoads.

Fortunately, Battletoads and Double Dragon is quite a bit easier than your traditional Battletoads game, resulting in my having beat it about a half dozen times or so.

I also beat the Battletoads arcade game way back in the day, but that was when my parents were feedin’ me quarters at a birthday party, so that doesn’t really count.

To be fair though, most of the time I was just playing Aliens vs. Predator AKA THE BEST BEAT 'EM UP EVER.

The one thing I always found be downright mean about Battletoads games, was the fact that they always bait you into thinking that the games’ gonna’ be fun and easy by giving you a cast of a colorful and cartoony characters to play as,

Zitz, Pimple and Rash: Corporate Whores.

and a laughably easy beat ’em up intro stage:


Every fuckin’ game in the series does this, and as a kid you think that’s gonna’ be the whole extent of the gameplay experience, but no, they had to go and change up the gameplay for EVERY FUCKING STAGE.

True, for the time this was a fucking revelation in gameplay variety on a single cartridge, but for those of us who were too dumb to read the back of the box, or failing that, the instruction manual, this really fuckin’ FUCKED you over somethin’ fierce.

Needless to say, I had problems learning the goddamn Turbo Tunnel,

I had problems learning fuckin’ Karnath’s Lair,

and you can sure as hell bet I never had a chance in goddamn fuckin’ Volkmire’s Inferno:

That’s right, I remember the names of the levels.

Hard to forget when they STEAL YOUR SOUL.

Anyway, the fun part about about Battletoads and Double Dragon, was that it kept the varied gameplay of the Battletoads series, but placed more of an emphasis on the sidescrolling beat ’em up action due to the inclusion of the Double Dragons.

Billy and Jimmy Lee: Proud Owners of Pimp-Ass Pompadours.

It should be noted however, that the general gameplay mechanics of the fighting are based purely off of the Battletoads games, meaning the movement controls are “slippery,” running attacks are king, and enemies can only be defeated via flashy, and sometimes dangerously slow, smash attacks.

Make no mistake, this is Battletoads and Double Dragon, not the other way around.

Some of the alternative gameplay functions that were carried over from the Battletoads series were:

A pathetically easy Turbo Tunnel segment,

Also known as, "A Complete Waste of Time."

and a brief rappelling segment akin to the Wookie Tunnel from the original Battletoads:

Complete with Toad 'Morphin Action!

In addition to this, there was also an absurdly difficult Asteroids inspired spaceship shooting sequence in one of the later stages in the game:

Believe it or not, this was the easy part of the stage!

I fuckin’ hated that stage…

Anyway, my fondest memories of Battletoads and Double Dragon, will always be playing it with my Korean buddy from up the street.

Pictured: Said Korean. He made this, not me.

For whatever reasons, he insisted on playing the game, in particular the 3rd stage, while blasting 50 Cent’s “In Da’ Club.”

Fortunately, through the wonders of technology, I can replicate the experience for you!

CLICK HERE

Anyway, the basic plot of the game involved the Battletoad’s eternal nemesis, the delicious Dark Queen, hopping in her new Rat-Ship, The Colossus, and headin’ on down to Earth to wreak some havok.

Mmmm, sexual...

Along the way though, she recruits the aid of the Double Dragon’s regular punching bags, The Shadow Warriors and their leader, the Shadow Boss (they mean “Master”).

Oh Brock, we keep finding ways to slip you in...

This of course results in the Battletoads responding by giving Billy and Jimmy Lee a jingle.

Really!? THIS, was the best you could find?

With the “Ultimate Team” assembled, our heroes set off into the cosmos to whup the Shadow Boss/Master, and kick the Dark Queen right in her sweet, luscious ass.

Mmmm, pixelated...

*Ahem!* Pardon me…

That being said, let’s get down to the real business at hand.

The Best Track in Battletoads and Double Dragon is

The Title Screen

Why?

If ever there was a track that better represented the Battletoad’s style, (aside from their theme music of course) it’d have to be the Title Screen music of Battletoads and Double Dragon.

Despite the game being the product of dual franchises, the music, graphical style, and gameplay of Battletoads and Double Dragon are almost uniformly based around the Battletoads aesthetic.

Indeed, every track in the game includes the heavy metal-ish simulated electric guitar work we’ve all come to expect from the Battletoads games, and I for one love that about it.

Seriously man, this track has wonderful sense of “let’s go kick some ass” to it that really gets you psyched to play the game.

At the same time however, it’s not an overly aggressive piece of music.

Much like the heavy metal-ish sound I just mentioned, the Title Screen track has an appropriate sense of “fun” to it that serves to remind you of the inherently cartoonish nature of the game you’re about to play.

My only complaint about the soundtrack of the game, is the fact that it doesn’t include any of either of the two franchises signature tracks.

Both the Double Dragon and Battletoad’s themes are absent from the game, as are any pieces of existing music from either franchise.

While it may seem fanboy-ish of me to say it, I’m actually surprised that Rare went ahead and made an entirely original soundtrack for the game despite the treasure trove of existing tracks they could have recycled.

Oh well, brownie points to them for putting in the extra hours.

Anyway, it’s been a long time coming, but that’s it for The Best Track in the Game #12.

To make up for the lack of Double Dragon factoids, (I felt I pretty much covered them in some of my earlier posts) here’s the intro of the old Saturday morning cartoon I used to watch way back when!:

Man that shit sucked balls…

I love how they actually went so far as to rhyme “dragon” with “braggin’.”

Also, the repetition of “You (blank) are dragon master, NOW” is just fucking awful…

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