Azn Badger's Blog

What About the Lysine Contingency…?

A Tribute to the Greatness that is Donnie Yen: Part VIII – Donnie Yen In The “Post Yip” Era

Finally startin to look his age...

A long time ago I wrote that I felt that director Wilson Yip was probably the best thing to ever happen to Donnie Yen’s career.

First teaming up in 2005 for the cop drama/action flick SPL, the 2 would end up collaborating on 5 consecutive films.

With the sole exception of the somewhat lackluster Dragon Tiger Gate, all of said films were of stellar quality; easily ranking as some of the best in Mr. Yen’s career.

While Yen’s incredible longevity allowed him to effectively outlast the majority of his contemporaries, namely Jet Li and Jackie Chan; and his innovative fighting performance and choreography skills certainly put him ahead of the pack, this writer would argue that Wilson Yip’s cinematographic skills and eye for detail had just as much to do with his rise to prominence as any of the aforementioned factoids.

Besides, any man that makes shit like Bio Zombie clearly knows what theyre doing. No sarcasm intended.

That being said, it’s now 2011; and while he’s been detached from Wilson Yip ever since the production of Ip Man 2, Donnie Yen is still the reigning king of Hong Kong screen fighters.

So, why am I not happy?

I’m just about as big a Donnie Yen fan as you’ll ever meet, but truth be told; as much as I like the man’s work, like most screen fighters he’s made an alarming number of shitty movies.

In fact, if you don’t count Blade 2; a movie he choreographed by held maybe 5 minutes of screen time in, I don’t think I’ve genuinely liked a non-Wilson Yip Donnie Yen movie since Shanghai Affairs back in ’98, and even that kind of sucked.

Sadly, now that Yen doesn’t seem to have any projects lined up with Wilson Yip in the foreseeable future; I’m left feeling like things are going to go back to the way they were, with Donnie Yen steadily churning out crap movies with decent fights.

...Or in the case of the Twins Effect movies, crappy movies with crappy fights. Thats Jackie Chan on the right by the way.

Despite an astoundingly well cut trailer for it’s U.S. release, make no mistake Legend of the Fist: Return of Chen Zhen, Yen’s first film of the “Post Yip Era”; is most assuredly hot garbage.

I own a Hong Kong blu ray of Legend of the Fist, and while Yen’s physical performance was actually pretty amazing, as detailed here; the movie itself was one of the most boring kung fu movies I’ve seen in a long time.

At present, Mr. Yen has a handful of movies on his plate, most notably a mysterious Peter Chan film called Swordsmen, and 2 other films titled The Lost Bladesman and The Monkey King.

I’ve purposely decided to forego any mention of the most recent All’s Well, Ends Well, as while it does in fact include Donnie Yen in it’s cast; no force on Earth could make me see it as a “Donnie Yen film.”

Yeah, not exactly high on my "must see" list...

Anyway, The Lost Bladesman sees Donnie Yen taking on the role of famed Chinese general and folk hero Guan Yu in a wuxia film.

Trailers for this one have been popping up pretty regularly as of late, with most of the footage doing little to light a fire in my pants.

Sure, it has Donnie Yen.

Sure he’s hitting people while sporting a pimp beard and guan dao.

Even so, the production values seem a little below standard, and the cinematography and choreography seem about on par with the mediocrity of Yen’s own 14 Blades.

For those that may be unaware, any film that draws comparisons to 14 Blades has it’s work cut out for it in terms of not sucking.

Pictured: Donnie Yen squaring off against Captain Jack Sparrow.

That leaves 2012’s The Monkey King as the one Yen movie to bear the weight of making up for the past couple of years of “meh.”

While it’s certainly far off in terms of being released, in all honesty; The Monkey King actually seems like it might be worth the wait.

No footage exists as of yet, but given that the story is a retelling of the Journey to the West, essentially the Chinese myth of myths; and given the incredible assortment of talent involved in the production, I’ve got a good feeling about it.

Sure, it’ll probably be CGI’d to shit and make Donnie Yen look like a complete goof ball; but the art style of the poster and Cheang Pou Soi’s involvement as director will likely make up for it.

I don't know about you, but if you ask me that's a pretty awesome fuckin' poster.

Seriously man, if the same Cheang Pou Soi that made Dog Bite Dog and Shamo shows up for this one, we’re in for one helluva’ ride.

Despite all the pessimism of everything mentioned above, let it be known; I remain hopeful for Donnie Yen’s career.

In many ways, I think my “disappointment” in some of his recent projects spawns from my general lack of enthusiasm for mainland China productions as compared to Hong Kong ones.

Wuxia works when it works, but for the most part it’s not what you’d call my favorite genre.

Whatever the future holds for Mr. Yen, I only hope that whatever crappy or mediocre productions he’s involved in continue to be the fault of writers and directors as opposed to Donnie Yen himself…

Advertisements

Filed under: Kung Fu, Movies, Uncategorized, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Looking Forward To Ultraman Zero: Super Decisive Battle! Belial’s Galactic Empire!

Remember my scene-by-scene dissection of Mega Monster Battle: Ultra Galaxy The Movie?

Remember how I poked fun at it’s paper-thin plot and absurd action-to-dialogue ratio?

Well, as fate would have it, Mega Monster Battle just got a theatrical sequel, and near as I can tell; it’s a helluva’ lot better than it’s predecessor.

Check out this review by the always reliable (and thorough) folks over at Sci-Fi Japan.

Despite tokusatsu film’s tendency to seem phoned-in when it comes to film adaptations of TV series, (especially in regards to sequels) I can honestly say that, even at a glance; the production art and character designs for Ultraman Zero had a level of investment and detail to them that suggest a lot of care was put into the project.

While Mega Monster Battle made use of Tsuburaya’s extensive collection of monster suits previously used in their Ultra Galaxy TV series, I was surprised to note a staggering number unique characters and costumes featured in the promotional material for Ultraman Zero.

In a clever homage to some of the older and more obscure characters in their extensive production history, several of the new hero characters are intentionally designed to resemble said characters.

Combine this, with the director of Ultraman Nexus, (my favorite series) even better effects work, and composer Kenji Kawai, and you have the makings of an Ultra film that I’m proud to be looking forward to seeing.

So what if the acting is shit?

So what if the live-action sets look hokie and cheap?

So what if the trailer shamelessly rips-off scenes from Pirates of the Caribbean: At World’s End and Star Wars Episode I?

As long as the movie is competently put together and has an ounce of the spirit that makes Ultraman so special, (as well as a awesome fight here and there) I’ll gladly pony up to see this one.

Filed under: Kung Fu, Movies, Tokusatsu, , , , , , , , , , , , , , , , , , , , , , ,

Donate