Azn Badger's Blog

What About the Lysine Contingency…?

The Avengers Trailer Looks Like They Need To Fix It In Post.

It’s funny, as the release date for The Avengers slowly draws nearer, I’m starting to realize more and more the fact that there’s very little chance of it being shitty.

I have a great deal of love for Marvel comics, so just getting a chance to see the characters of that universe being brought to life in 200 million dollar budgeted films is enough to make me happy.

It doesn’t matter so much if the acting is great, or the plot deeply layered, as long I get to see the spirit and energy of the characters brought to life, there’s very little chance I’ll walk away from an Avengers movie wanting my money back.

Then again, I would’ve said the same about Transformers, that is, until Michael Bay dumped ass all over my childhood and raped my wallet…

TWICE.

"I swear I will not kill anyone... But I WILL shit on all of your childhood heroes."

That being said, while it’s a bit difficult to determine exactly what the plot of the movie is based on the trailer, (as should be the case, given that it’s only the first theatrical trailer) in many ways I applaud the marketing folks over at Marvel/Disney for cramming in screen time for virtually all of the heavy hitters that have been confirmed to be appearing in the film.

Tom Hiddleston’s Loki appears to be the central villain of the film, though based on the uncertain events at the conclusion of Captain America, in my mind it’s entirely possible that Red Skull could have a hand in things as well.

My bet is, he does.

Given the Hulk’s unstable nature, as well as the plot of the first Avengers comic, I’m guessing he’s going to end up being manipulated by Loki at some point; resulting in a heel/face turn at some point in the film.

I don't think I'm alone in saying I'd like to see a bit of THIS somewhere in there though.

Speaking of the Hulk, his reveal at the end of the trailer was well utilized, as he’s the one confirmed Avenger we really haven’t seen up to this point.

Despite no shortage of explosions and FX shots though, I can’t help but feel that this first trailer was cut from footage of a yet unfinished product.

At least I hope that’s the case.

There are numerous shots that feel very “static,” lacking in energy and purpose to a degree that they feel almost amateurish.

Seriously man, count how many shots there are of single characters, standing in boring and vacant locations.

"DURRR!!! I'M THE BLACK WIDOW AND I JUST FARTED A BUS EXPLOSION! DURRR!!!"

Chances are you’ll run out of fingers and toes on that one.

At the same time, many of the FX shots, particularly some of the exploding cars, look to me as if they are meant to be templates for CGI compositing.

It’s rare to see explosions in Hollywood films these days where the detonation source and materials seem plainly visible, and as such; I wouldn’t be surprised if the aforementioned exploding car shots are awaiting some sort of energy beam effects to cover all that up.

It’s funny, as I write this nitpicky article, I can’t help but be reminded of the early trailers for Iron Man.

I remember seeing the early TV spots for Iron Man, and being largely unimpressed.

I don’t know if you recall, but the pacing of these commercials was very weak, and some of the effects shots were not quite finished, resulting in advertisements that didn’t at all reflect the awesomeness of the final product.

Compare this early TV spot:

To the later released full trailer here:

Not only is the composition better, the special effects, particularly in the “tank shot” sequence, are rendered with more detail and smoother animation.

When you’re dealing with effects heavy films like this, it’s entirely possible that the computer effects crew will end up working on the project up until the release date.

While I could be wrong, I’m really hoping this is the case with The Avengers, as while it looks totally acceptable at this point, it doesn’t look at all exceptional.

What else can I say about this?:

Captain America’s costume looks a little bit too stretchy and “pajama-y” for me to give it a thumbs up.

Am I wrong in thinking it looks kind of like the live-action Kick-Ass costume?

Hank Pym should get a nod or a cameo, as I’d love to see The Vision or Ultron show up in a movie someday.

Kudos to the marketing department for excluding any and all shots of the Avengers working together or “assembling,” as that’s one of those oh-so-important fanboy moments that’s probably best left for the theaters.

Here’s hoping Agent Coulson gets an action beat somewhere in there, ’cause he’s been consistently fun over the years.

I’ve got my fingers crossed that the always solid Jeremy Renner won’t suck asĀ Hawkeye… ‘Cause let’s face it: he’s Hawkeye.

"Who? Me?"

For once I’m actually hoping Joss Whedon decides to “George Lucas” his movie with distracting lights and colors in every shot.

Seriously man, this is the fuckin’ Avengers movie.

It’s only gonna’ premiere once, and you’ve been hyping it for like 4-5 years now.

Go balls out, or don’t waste my motherfuckin’ time.

No Avengers film, or any film for that matter, should have boring-ass shots of The Black Widow standing ever so casually in front of pitiful exploding buses, or for that matter; Nick Fury firing rocket launchers while standing in front of my dad’s garage.

BOH-RRRRRIIIIING.

Anyway, that’s about all I’ve got to say on this one, hopefully it turns out fun for everyone, ’cause at this point if any one film this coming year could hope make good on that promise, it’d have to be The Avengers.

If it does in fact start to suck when I’m in the theater though, I know exactly the phrase that’s going to come to mind:

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Marvel’s Siege Review

I’m really fuckin’ tired tonight, so I’ll make this quick.

Oh wait, this is an event comic we’re talking about, so there’s no possible way I can say anything about it without first explaining a half dozen or so events leading up to it.

Man, I hate event comics

Anyway, Marvel’s most recent mega event comic, Siege, made it’s collected edition debut a weeks ago, and, fashionably late as I tend to be these days; I just got my hands on it a few days ago.

The basic premise of Siege, was to serve as that of a bookend to the era in the Marvel Universe known as Dark Reign, thereby kicking off the current era, The Heroic Age.

A tonal shift if I've ever seen one...

For those that are unaware, Dark Reign began after the attempted alien Skrull invasion of Earth during Secret Invasion, which ultimately resulted in the Norman Osborn AKA The Green Goblin, coming to prominence in the Marvel Universe as a legitimate public and governmental figure.

Hah, and I just happened to find a pic where George Bush was doing the Spider-Man hands!

Don’t ask.

Anyway, Dark Reign was an era that blanketed the entire Marvel Universe with, well, darkness.

Evil reigned supreme in Marvel from late 2008 to the beginning of 2010, when Siege was finally released.

The basic premise of Siege involves Norman Osborn and his Cabal (a secret collective of unified villains including the likes of Doctor Doom, The Hood, and Loki) attempting to “siege” Asgard, Thor and the other Norse God’s homeworld, which just happens to be floating 10 feet above Oklahoma.

Let it be known: Thor makes everything better.

Again, don’t ask.

While most of his Cabal scoff at Osborn’s ambition, and end up abandoning him, he nonetheless enacts his siege with the entirety of his resources, including the Dark Avengers, (evil replacements wearing the costumes and bearing the titles of established superheroes) several of The Hood’s otherworldly henchmen, all of The Initiative, and of course, the great golden retard himself, The Sentry.

Behold, the Meta Knight/Magneto/Chun-Li of the Marvel Universe... Broken-ass piece of fuck...

While Thor and the other Asgardians put up a decent fight, The Sentry proves to be too powerful to be harmed by anything they can throw at him.

Osborn’s victory seems to be in the bag until a few issues in, when Steve Rogers AKA Captain America, Bucky Barnes AKA Captain America with a Gun, Nick Fury, The Secret Warriors, The Young Avengers, and members of most of the other Avengers variants, decide to finally come out of hiding and assemble some bitches till they die from it.

Said panel of Assemblage.

Oh yeah, and then Iron Man shows up after finally waking up from his period of braindead-ery.

By "braindead-ery" of course I mean, "shrooming."

Go ahead and ask, don’t expect any answers from me.

Essentially, Siege is meant to serve as a massive culmination for all the conflicts brewing over the past year or so, as most of the battles that take place during the siege of Asgard have been long overdue.

By stories’ end, Osborn and his forces are defeated and/or repelled, however one final obstacle stands before our heroes…

A certain golden, retarded obstacles that’s just been given orders to kill…

At that point, The Sentry makes his long hinted at, and all too obvious transformation into his alternative EVIL persona, The Void, thereby resulting in a climax scenario that mirrors that of just about every major anime film since Nausicaa.

Pictured: The climax of Siege.

The world world crumbles, major characters die violent deaths… Oh whatever, I’ll just let Bill Murray handle this for me, he’s so much better at it:

CLICK HERE ‘CAUSE YOUTUBE FAILS AT EMBEDDING
*Sigh* Now that we’ve got all that goddamn explanation out of the way, let’s get down to how I felt about Siege.

I liked Siege.

It was straightforward, tautly paced, and reasonably approachable for the most part.

The whole thing is only 4 issues long, with an additional 2 included for the purpose of providing expositional padding for the collected edition.

Unlike say, DC’s Blackest Night (we’ll cover that some other time), which was 8 issues long, Siege had the advantage of being a streamlined, and simple event meant to appeal on the basest of levels.

Pictured: A similar ploy to appeal to said levels.

Probably my favorite part about Siege, was the fact that it really is just an “event.”

The whole story takes place over the course of a handful of hours, resulting in a scenario that feels focused and immediate to the point in which there isn’t really any room for plot holes to emerge.

On the downside, the relatively low page count also means that most of the individual battles you’ve been waiting all this time to see, the Venom vs. Spider-Man, the Wolverine vs. Daken, Iron Man vs. The Iron Patriot, end up being shown in the background of panels, but rarely ever explored in any sort of detail.

Sadly, this is actually kind of accurate...

That being said, Siege is an event that, like most event comics, seems to require the reader to take a look at some of the spin-offs and crossovers to get the whole picture, at least for the characters they care about.

Personally, I see myself checking out Siege: Battlefield and definitely Siege: Thunderbolts at some point, however I’ve heard Siege: Embedded is bad news.

Pictured: A woman receiving several copies of Siege: Embedded from an elephant.

While I haven’t personally read Brian Michael Bendis before, (remember, I’m not an Avengers guy) I can honestly say that after reading Siege, I’m thinking about taking a look at some of his other stuff.

While the plot progression was manic at times, due to the low page count, Bendis’ strength, in my opinion; is his ability to give a real sense of personality and voice to each individual character.

At the end of every issue of Siege, there are a few pages of text-only dialogues between some of the major players in the story regarding the events of, uh, the event.

I don’t know about everyone else, but I found these pages to be interesting throughout.

In particular, I was impressed by the first of them, wherein Osborn and his Dark Avengers sit down with Ares to plan out the actual siege of Asgard.

What? You didn't KNOW that Ares, the Greek God of war was a Marvel Comics character?

“Listening” to Venom and Bullseye bitch and moan about the inherent lunacy in taking on literal Gods on their home turf, was both funny and true to form.

Though each character’s speech is preceded by a note regarding who exactly is speaking, I bet most of us could read these scenes without such aides, as each character is written that sharply.

On the visual side of things, again, Olivier Coipel is not an artist I am familiar with, but, as with Brian Michael Bendis’ writing, I think I might have to check out his other stuff.

Coipel, who is apparently the current artist for Thor, has a style that is intrinsically geared towards the Asgardian aesthetic.

His men are burly and square-jawed, and his women are, well, burly and square-jawed.

Seriously, there’s a panel of Victoria Hand early on that is downright Xena in how butch it is.

Yikes! You could lose a hand to those cheekbones!

Anyway, outside of that one panel, Coipel’s work in Siege is gorgeous.

Aside from his very clean lines and wonderfully fluid character designs, the sense of motion and speed generated by his action panels is truly breathtaking.

Seriously, there were times in this comic that I caught myself being able to actually see the panels spring to animated life.

THIS my friends, is why I bought Siege.

Kudos definitely need to be given to the colorist of Siege as well, as the color palette is refreshingly vibrant and diverse throughout, with many of the earlier scenes being all blue skies and daisies and such, while during the later scenes, particularly the ones involving The Void, things take on an menacing and otherworldly tone.

Anyway, Siege was a good event comic for me, someone that doesn’t really care much for event comics.

It’s a shame most of the “slug-fest” aspect of the event was omitted from the core storyline, as unlike novels, comics are usually best crafted on the page rather than in one’s imagination, but oh well, I liked it anyway.

I’ll let yah’ know how the spin-offs turn out.

Filed under: Comics, Uncategorized, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

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