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The Top 10 Manliest Man Moments #7: The Poe-Dozer

Welcome back folks, to the Azn Badger’s list of the Top 10 Manliest Man Moments!

So far we’ve covered the head-exploding exploits of Kenshiro from Fist of the North Star, the unbridled savagery of Arnold Schwarzenegger’s John Matrix in Commando, and the sporadic and unfocused heroism of Han Solo.

Indeed, with every entry on this list we’ve explored a number of different forms of MANLINESS, and today will be no exception.

Today, as we name the 7th MANLIEST MAN moment in movie history, we enter the 7th circle of MAN-DOM:

Make no mistake, Con Air is a horribly disjointed mess of a movie.

Despite having an all-star cast, Con Air isn’t action-y enough to be an action movie, nor prison-y enough to be a prison movie; resulting in a film that has no fuckin’ clue what it wants to do with itself.

In falling flat on it’s face trying to embody the genres listed above, Con Air falls back on what many Jerry Bruckheimer financed blockbusters attempt to do, namely be “funny.”

Normally this would be acceptable, (and if Michael Bay’s in charge, very likely racist) however in this case most of the funny lines are delivered by DEATH ROW INMATES, making the humor just a little bit morally questionable.

Haha! Serial killers are HILARIOUS!

Despite all of Con Air’s failings, to it’s credit; it remains a very watchable piece of mid-90’s garbage.

One thing the movie did do right though, was give us the awesomeness that is Nic Cage’s Cameron Poe.

Cameron Poe, feeeeeeeels so good....

A quiet Southern gentleman who just happens to be an Army Ranger, Cameron Poe also happens to be mullet-ed and blue jean-ed DEATH on 2 legs.

Case in point, Poe is known to be SO FUCKING SAVAGE that in defending his PREGNANT WIFE against 3 drunken yahoos, 1 of whom is armed with a knife; Poe ends up getting sent to prison for manslaughter.

Seriously man, the guy is SO FUCKING SAVAGE that in killing an armed man in self-defense, he gets sent to prison for 8 years on the grounds that he “should’ve known better,” being as he’s a FUCKING KILLING MACHINE.

Anyway, despite Poe’s infinite awesomeness, Con Air as a movie doesn’t exactly afford him all that many opportunities to be badass.

There’s that one time he rescues a stuffed bunny through “presenting rearward” to a more than a little surprised Nick Chinlund while over-the-top rock music blared in the background:

Somebody just lost their cherry. Not sure who...

Then there was that one time he Chuck Norris-ed the shit out of some Mexicans to the sounds of over-the-top rock music:

The MANLIEST of MANLY maneuvers: The Roundhouse Kick!

And I guess there was that one time he prevented the rape of that one lady from Total Recall by beating the shit out of “The Man Who Always Dies In Movies,” Danny Trejo; also set to over-the-top rock music:

In other words, Cameron Poe; as awesome as he is, seems dependent on the presence of over-the-top stylings of Trevor Rabin’s orchestral synth-rock music in order to get his swagger on and kill the fuck out of, well; apparently mostly just Mexicans.

Cameron Poe’s not racist, there just happen to be a lot of Hispanic bad guys that wander into his path in Con Air.

At least I hope that’s the case…

Thankfully, Cameron Poe’s MANLIEST of MAN moments, and our 7th MANLIEST MAN moment in all of movies; involves no violence directed at Hispanics, but rather  plain ‘ole white guys, which of course makes it all the more PC!:

So here’s the basic setup:

An impeccably dressed John Cusack and that one Irish guy from Star Trek have finally caught up to the Jail Bird, the plane carrying all of the escaped convicts AKA the bad guys.

Chasing after the plane in pair of attack helicopters, the Irish guy orders his pilot to shoot it down; while John Cusack’s Vince Larkin does what he can to protect the government’s property I.E. both the plane and CAMERON FUCKING POE by screaming “CEASE FIRE!” into the ear of the pilot in the front seat.

Dial it down Cusack! The check cleared...

Long story short, some shots are fired, but not enough to knock the plane out of the sky.

During all of this however, Nic Cage’s Cameron Poe is in the process of HULKING OUT over his diabetic friend Baby-O, played by Bubba from Forrest Gump; having just been shot in the gut by John Malkovich’s unitentionally hilarious Cyrus the Virus.

Nearly brought to MANLY tears at the sight of his friends lying on the ground dieing and rapidly losing his faith, Poe does what any self-respecting MAN would do and casually DECLARES HIMSELF GOD and sets out on his way to kill a bunch of people:

Thus begins the awesomeness of MANLY moment #7.

Standing up from tending to his fallen friend, The Poe’s trademark over-the-top rock music starts blaring, and shit gets real, really fuckin’ fast!

Stomping down the aisle of the Jail Bird on a bee line for the cockpit, Poe throws on his MANLIEST of MAN-FACES and ascends to his ULTIMATE level of MAN-SAVAGERY:

Despite the massive aura of MANLINESS radiating from him during all of this, a couple of the bad guys foolishly step up to challenge The Poe-Dozer.

First up is a big-ass blonde, shirtless douchbag with a broken bottle that uses what little time he has left on this Earth to shout a retarded and borderline incoherent threat at The Poe-Dozer:

Just 'cause you've only got a tenth second to issue a threat, doesn't mean you shouldn't try.

As one might expect, size advantage or not; going toe-to-toe with The Poe when he’s in full-on Poe-Dozer Mode get’s this poor shmuck beat to shit something fierce.

Quick as you can say “1, 2, 3” The Poe-Dozer brings it’s blade to bear and claims it’s first victim:

Wham, bam, thank you ma'am...

Not skipping a beat, The Poe-Dozer continues his march of MANLINESS, letting out an obscenely MANLY “HUUOOOAAAH!!!!!” as he steps over the fallen blonde douchebag.

Unfortunately, another bad guy pops up in The Poe’s way; this time armed with a handgun.

Having seen his partner utterly steamrolled by the fury of The Poe-Dozer, the baddie wastes no time lifting his pistol and opening fire.

Bad Guy used Bullet Seed! It's not very effective...

Unbeknownst to this particular bad guy though, The Poe-Dozer is immune to gunfire, thusly causing the otherwise debilitating injury of a bullet to the bicep to seem like little more than a minor annoyance.

… A minor annoyance that serves to ANGER the already POSITIVELY FUMING Poe-Dozer.

That being said, it should come as no surprise, least of all to the bad guy standing before him; that The Poe-Dozer goes to town on this sad sack of fuck with a motherfuckin’ vengeance.

… But not before we cut to a shot of the guy having a moment as he reflects on the error of his ways:

Utterly frozen in disbelief at the sight of The Poe-Dozer’s unflinching reaction to the gunshot wound, the convict finds himself unable to pull the trigger a second time.

His fate sealed, the bad guy quickly succumbs to the unrelenting fury of The Poe-Dozer; falling by the wayside after 3 consecutive straight right hands to the jaw.

... And here comes #3.

At this point the music has already begun to calm down, thereby stripping The Poe-Dozer of his inhuman strength and vengeance fueled MAN-RAGE.

Fortunately, the previous 2 bad guys made up the bulk of The Poe’s resistance in reaching the cockpit, with the last obstacle remaining in his way (besides the fucking door) being the effeminate cross-dressing convict, “Sally Can’t Dance.”

Behold, the dreaded final boss of the "March to the Cockpit" stage in Con Air: The Videogame!

Reverting from his uber-violent Poe-Dozer Mode to the more socially acceptable Southern Gentleman Mode, The Poe sees fit to dispatch “Sally Can’t Dance” in a manner that is fitting, namely that of laying the smack down with an open palm:

Huh, ‘guess I lied about the “no violence towards Hispanics” in this scene.

Oh well.

Technically there’s more to it, but in my eyes this moment marks the conclusion of the 7th MANLIEST MAN moment in movies.

Check back tomorrow for MANLY moment #6 on our list of the Top 10 Manliest Man Moments!

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Top 3 Academy Awardees… That Make The Academy Facepalm

Tonight we celebrated the 83rd edition of the Academy Awards.

Predictably, the English thespian uber-beast that is Colin FIRRRTHHHH managed to walk away with a Best Actor award, while Natalie Portman bagged the Best Actress.

While I haven’t seen The King’s Speech or Black Swan, and thusly can’t speak to the performances of these actors; in keeping with the spirit of the Academy Award festivities this evening, I’ve decided to put together a small list of the top 3 biggest FUCK-UPS the Academy saw fit to hand Best Actor awards to.

The following actors all have one thing in common:

While all may have had some bankability/acting merit at some point in their career, somewhere down the road they saw fit to sell-out and participate in some legendarily horrid films, some of which may or may not contain bear suits and bees.

Anyway, let’s get on with the list:

#3. Anna Pacquin

Yikes! 'Guess I can throw away that theory of her "growing into" that gap...

Anna Pacquin managed to charm her way to a Supporting Actress golden statue for her role in 1993’s, The Piano.

She was 11 years old at the time, making it fairly evident that the Academy staff is likely packed to the brim with pedo-faces.

For those that need a visual aid...

Now, given that Ms. Pacquin was very young when she received her Oscar, you’d expect her experience in the craft would improve as she grew older, right?

WRONG.

Sometime after The Piano, Anna Pacquin would go on to have supporting roles in such classics as, She’s All That, the X-Men series, and even the oh so cleverly titled horror anthology film, Trick ‘r Treat.

Also featuring that fat kid from Bad Santa!

While some might argue that Ms. Pacquin has seemingly found new life in her career with her leading role in the cable series True Blood, I would argue that she’s still very much in crap-town in terms of her bankability.

Case in point, she’s been cast in the upcoming (and largely unwanted) Scream 4, which retains almost none of the cast from the previous films.

Typically that’s not a good sign when dealing with (unwanted) sequels, just look what happened with Dumb and Dumberer: When Harry Met Lloyd

#2: Sandra Bullock

 

Am I supposed to be turned on? 'Cause I'm really not... Kinda' hungry, but definitely not turned on...

“It was called The Net, with that girl from the bus…” – Frank Costanza, Seinfeld

Sandra Bullock snagged a Best Actress award in 2009 for her “transformative” role in The Blind Side.

While I would argue that the movie itself was actually kind of flat, with Ms. Bullock’s performance doing little to add to it’s mediocrity; the academy saw fit to give her the nod, thusly solidifying her place on this list.

Sandra Bullock had a rather odd journey to the Academy Awards.

Early on she was TV movie tripe like, Bionic Showdown: The Six Million Dollar Man and the Bionic Woman.

Thought I was kiddin', didin'cha'?

Then she started to move up in the world, landing supporting roles in modern classics like Demolition Man, and Speed.

That’s right, MODERN. CLASSICS.

Then she got greedy and started conning her way into starring roles in horse shit like The Net, and Speed 2: Cruise Control.

 

Pictured: A shitty, and severly dated movie.

Then came the beginning of the new millenium.

Then, came the era of congeniality.

Tens of thousands were killed in the angry riots spawned by the release of the first Miss Congeniality.

Entire nations were felled in the anarchic firestorm brought on by the announcement of the second in the series, Miss Congeniality: Armed and Fabulous.

Given her greedy nature, combined with the relative stagnation of her career since achieving Oscar gold, I would not be surprised if Ms. Bullock had her goons in Hollywood pounding out a script for Miss Congeniality 3: Botoxed and Beautiful, as we speak…

#1: Nicolas Cage

If you're trying to scare me Mr. Cage, you have succeeded...

No list of Hollywood burn-outs could be complete without the inclusion of Nic Cage.

The Cage began his stint in Hollywood from humble beginnings.

Well, if you call being the nephew of one of the most influential and respected directors of all time, “humble.”

Early on, Cage made an impression in Hollywood with his critically acclaimed role as a douche bag in a handful of scenes from Fast Times at Ridgemont High.

 

The Birth of a Legend...

Said performance would prove to be an acting formula Mr. Cage would draw from in crafting many of his finer roles.

For several years, Nic Cage would pop up in films, largely in background roles; often times stealing the show with his unearthly powers of scenery-chewing and not-giving-a-fuck.

Then came Moonstruck, a film that received enormous critical acclaim; and very likely would’ve netted Mr. Cage an Oscar had Cher not overwhelmed his performance with her massive aura of FAIL and gender neutrality.

 

WHAT.... IS, IT!!!!!????

Years passed, and Cage, now starting to make waves as the possible “next big thing” in the industry, started churning out half-assed shit like Firebirds, seemingly for the fun of it.

Few realized it at the time, but the man was challenging us to a twisted and bizarre game of his own designs, daring us to take him seriously as an actor one minute, only for him to turn heel and pump out half-assed performances in blockbuster films.

It was a game only he himself could understand, let alone enjoy; and yet for some reason we foolishly kept coming back for more.

As with his acting method founded so long ago on the bleachers of Ridgemont High, Nic Cage; sly son of a bitch that he is, once again found a new devious element to add to his modus operandi…

1995 saw the release of Leaving Las Vegas, the film that would finally give Nic Cage his Best Actor award.

 

Pictured: Nic Cage's acting coaches.

Despite receiving universal acclaim critics worldwide, Nic Cage would later go on record stating that he had no memory of ever having made a film called “Leaving Las Vegas,” claiming that he spent all of ’95 fighting savage women on one of his privately owned islands while wearing a bear-suit.

Regardless of the truth of this matter, Nic Cage would display great proficiency in bear-suit combat tactics in some of his later films, suggesting he may indeed have had prior experience in said activities…

Following his Oscar success, the Nic Cage floodgates of crappiness and truly not-giving-a-fuck would burst wide open.

Amplifying Nic Cage’s powers of “phoning-it-in” and “not-giving-a-damn” 10 fold, Jerry Bruckheimer and Michael Bay would go on to sink their claws into the enigma that is The Cage; casting him in overblown crap-fest after overblown retarded crap-fest for years to come.

 

Urge to kill, RISING...

Con Air, the Gone in 60 Seconds remake, the National Treasure series, horrible movies thrown in our faces cock-first, over and over and over again every summer…

Then, things got worse.

While few could argue that Next, Bangkok Dangerous, and The Sorceror’s Apprentice were *ahem!* “taxing,” even for the sternest of Nic Cage fans; everything seemed to come to a head with 2006’s remake of The Wicker Man.

Awe-inspiringly bad, to the point where few could argue that Nic Cage had finally topped himself in terms of simultaneously not-giving-a-shit and intentionally trying to ruin a film; The Wicker Man was the proverbial dick-slap to the face of the Academy that awarded him as Best Actor of 1995.

It was a facepalm for the ages, and one I believe most in Hollywood relive every time Nic Cage’s face pops up on a movie poster.

With potential gems like Drive Angry and Ghost Rider 2 still regularly showing up on Mr. Cage’s resume in the foreseeable future, I wouldn’t be surprised if the Academy actually tries to take back that award somewhere down the line…

 

 

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Looking Forward To Ultraman Zero: Super Decisive Battle! Belial’s Galactic Empire!

Remember my scene-by-scene dissection of Mega Monster Battle: Ultra Galaxy The Movie?

Remember how I poked fun at it’s paper-thin plot and absurd action-to-dialogue ratio?

Well, as fate would have it, Mega Monster Battle just got a theatrical sequel, and near as I can tell; it’s a helluva’ lot better than it’s predecessor.

Check out this review by the always reliable (and thorough) folks over at Sci-Fi Japan.

Despite tokusatsu film’s tendency to seem phoned-in when it comes to film adaptations of TV series, (especially in regards to sequels) I can honestly say that, even at a glance; the production art and character designs for Ultraman Zero had a level of investment and detail to them that suggest a lot of care was put into the project.

While Mega Monster Battle made use of Tsuburaya’s extensive collection of monster suits previously used in their Ultra Galaxy TV series, I was surprised to note a staggering number unique characters and costumes featured in the promotional material for Ultraman Zero.

In a clever homage to some of the older and more obscure characters in their extensive production history, several of the new hero characters are intentionally designed to resemble said characters.

Combine this, with the director of Ultraman Nexus, (my favorite series) even better effects work, and composer Kenji Kawai, and you have the makings of an Ultra film that I’m proud to be looking forward to seeing.

So what if the acting is shit?

So what if the live-action sets look hokie and cheap?

So what if the trailer shamelessly rips-off scenes from Pirates of the Caribbean: At World’s End and Star Wars Episode I?

As long as the movie is competently put together and has an ounce of the spirit that makes Ultraman so special, (as well as a awesome fight here and there) I’ll gladly pony up to see this one.

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Thoughts On The Thor Trailer

Let it be known, the Azn Badger is in no way an authority on Thor.

Like most kids, I dabbled in Norse mythology in my youth; however when it comes to the Marvel version of the Nordic god of thunder, I’m really kind of a newb.

Truth be told, I’ve never read a Thor comic in my life, largely because I could never find an appropriate jumping on point in the character’s expansive continuity.

That being said, while I don’t know Thor all that well, I do consider myself a fairly knowledgeable movie buff; and it’s from that perspective that I’ve decided to throw together this article regarding my impression of the new Thor movie based on it’s recent trailer.

When I first heard that Thor was going to be directed by the great channeler of Billie Shakes himself, Kenneth Branagh; I found myself struck with a crystal clear vision of what to expect:

Shakespeare-ian melodrama, obscenely lavish and over-the-top costume and set designs, and a cameo by the director himself; most likely shirtless and covered in physique enhancing oil.

"I shall now remove my shirt.... For SCIENCE."

Basically, I expected Branagh’s Frankenstein, but with Norse gods and (sadly) no Bobbie D.

Upon viewing the trailer, I can’t help but feel that most of what I expected, good and bad; has come to fruition.

I’m a little disappointed in the fact that, based on the trailer anyway; many of the principle Asgardian (heh heh, “Ass-Guard”) characters are shown without their helmets and garb, most likely due to a creative decision along the lines of:

“The audience can’t connect with the characters if their faces are covered by their helmets!”

On that note, costume designs seem appropriately lavish and extravagant, and the sets seem impressively vast as seems to be the norm for any Kenneth Branagh film, however I feel it must be mentioned that the sets that appear to represent Niffelheim (the Norse realm of ice) seem a little anemic compared to the Asgardian ones.

While I’m on the topic of Niffelheim, I’d like to take this opportunity to say that I’m excited to see how the Norse frost giants are depicted in this movie.

In glancing at the imdb for Thor, I happened to notice that Ymir is listed in the cast; which in my mind means we’ll be treated to a bit of a throwdown between him and Thor at some point in the film.

Call me crazy, but the idea of a big fuckin’ Scandinavian dude winging away with a mallet against a mountain-sized man of ice just seems like good watching in my book.

Here’s hoping Mr. Branagh doesn’t fuck it up by having the 2 of them give a soliloquy before initiating a “gentleman’s duel.”

...Or fuck it up by having Ymir look any less cool than THIS.

Sorry, I’m not much for Shakespeare…

Getting back to the movie, I don’t know if maybe the intention was that the Niffelheim sequence in the film was meant to be intentionally “stagy” or theatrical, but at this point the set just looks kind of cheap.

Like, Jerry Bruckheimer King Arthur cheap.

Pictured: A still from the climactic battle sequence of King Arthur.

Moving on, from what I can tell, the cast for the film seems fairly solid.

Casting Sir Anthony Hopkins (that’s right, I call him “sir.”  The question is: Why the fuck don’t you?) as Odin was pretty much a no-brainer.

The man has a voice, and gruff old man presence about him that makes him perfect for pretty much any elder god in all of mythology.

Curiously enough, both the actors for Loki and Thor are strangely unknown to me.

Tom Hiddleston, at least physically anyway, seems to fill Loki’s shoes rather well.

When I picture Loki, I picture a frail, weasely motherfucker that does pretty much all of his fighting with his words and his voice.

That is to say, while Hiddleston seems to look the part at this point; the effectiveness of his performance will likely be determined by the strength of the script… which will most likely suck ass.

Chris Hemsworth as Thor, seems to be a bit of a gamble; but a fairly well justified one.

Remember when Daredevil came out, and people were up in arms about Michael Clarke Duncan being cast as the Kingpin?

People were upset that a black man was cast for a white character, however they did so without taking into account the fact that the Kingpin, in the comics anyway; was supposed to be built like a brick-shit house.

Can you name any legitimately talented actors, black or white; with a physique that could meet that description as well as Michael Clarke Duncan?

BRICK. SHIT. HOUSE.

Didn’t think so.

My point is, while Chris Hemsworth is pretty much an unknown in Hollywood; I honestly don’t know of many actors that can pull off the whole “musclebound viking look.”

I said "actors." Yes, he probably would fill the role just fine though.

And don’t say “what about Brad Pitt?” because I honestly don’t think he’d be a good choice given that he’d probably put too much swagger into his Thor.

Stupid Brad Pitt, bein’ all sexy n’shit…

The last thing I’d like to say about the cast of Thor, is that I don’t know anything about the nature of her character in the comics or in the film, but the way they showed her in the trailer, Natalie Portman seems like she’s just there.

Nonetheless, that tends to count for a lot when you look like this.

Seriously, I don’t know if the marketing guys over at Marvel are to blame, but the way she’s treated in the trailer suggests that this may very well be a case of “Tree #3 as played by Natalie Portman.”

Maybe it’s just the fact that she’s the only one in the cast that doesn’t have a flashy and heavily ornamented suit of Scandinavian power armor, or the fact that her schedule was very likely crowded with, y’know; good movies she had to act in, but seriously; if it wasn’t Natalie Portman, I don’t think any of us would’ve even noticed her character in the trailer.

In closing, Thor looks to be pretty much what I expected.

I don’t expect an epic, fast-paced, or even all that entertaining an experience out of it, but it’s a Marvel movie, it has superheroes hitting each other, and yes; that is enough to make me go see it.

I want to see the Destroyer armor blow up cars.

I want to see how many creative ways a big hammer can be used to kill frost giants.

I want to see if Tadanobu Asano AKA the Brad Pitt/Johnny Depp of Japan, can make a name for himself in American films.

But most of all, I want to hurry up and skip this pile of ass so we can get to the good shit like Captain America and The Avengers.

Fanboy as I am, it’s more than likely that all of the above will end up sucking balls though.

Though Thor is the only one that can boast the possibility of a random shirtless Kenneth Branagh.

"I must do this scene, SHIRTLESS! The integrity of the film demands it!"

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My Kingdom For A New Kung Fu Movie…

Is it just me, or is there a serious shortage of kung fu/fighting movies these days?

Back when I first started this blog, the genre was swimming with new titles to choose from.

Ip Man 2 and True Legend had just come out in theaters, and Undisputed 3 was out on video around the same time, not to mention a host of other (trashy) fight movies such as Coweb and Bad Blood were making the rounds as well.

 

Pictured: Industry veteran, Kane Kosugi locks arms with up-and-coming prospect, Jiang Lui Xia. Keep an eye on her, she's pretty talented for an internet star...

While Hong Kong recently saw the release of The Legend is Born: Ip Man, the pile of shit known as City Under Siege, and Donnie Yen’s Legend of the Fist: The Return of Chen Zhen, as far as I’ve heard (and in the case of The Legend is Born: experienced firsthand) not one of these movies turned out to be worth the wait.

City Under Siege: 80% chance of it being "good-bad."

Damn, a lot of “Legend” movies came out in the past year…

Regardless, what happened to all the good fighting movies!?

Even though all of the movies that I just mentioned were released in the past year or so, I think the main reason for my concern/discouragement, is the fact that I may in fact have already waded my way through the vast majority of the kung fu/fighting movies I want to see, leaving me only new releases to look forward to seeing.

You see, quality Kung fu movies are like big budget action films.

At first glance it may seem like there’s a never ending supply of them, however when you take a step and really examine the history of the genre, it becomes all too clear that there really aren’t too many of them.

 

Did I mention that only about 2% of big budget action films are at all worthy your time? Pictured is a prime example of the other 98%.

In the case of big budget action films, this stems from the fact that the blockbuster action film has really only been around for 35-40 years, not to mention the fact that only so many producers exist on the planet to fund such massive monetary endeavors from year to year.

 

Hey Bruckheimer, give it a rest, 'k?

In the case of quality kung fu movies though, the main issue comes in the form of there being only a handful of outstanding performers capable of headlining entire films.

Athleticism and martial arts skills are one thing, but the ability to perform convincingly and dynamically on camera is a totally different beast.

 

Take for example, Randy Couture. Great fighter in real life, TERRIBLE on-screen performer. Acting included.

That being said, there really aren’t that many must-see kung fu/fighting movies, and in my case; I’ve reached a point where I’m running out of new movies to experience.

Sure, there’s the occasional classic that I may have missed and probably should see, (such as the early Sammo Hung flick: The Victim) not to mention there are a few rare and/or elusive films that I have yet to see, (I’m lookin’ at you Merantau and The Broken Path!) but for the most part, I’ve seen the one’s I really wanted to see.

Maybe I was spoiled by Donnie Yen’s blitz of Hong Kong cinema over the past 6 years, but goddamnit; I want a new kung fu movie to get excited about!

Here’s hoping something special happens in the world of kung fu cinema in the next few months, otherwise I swear I’m gonna’ have bust out some faux kung fu moves on some helpless pedestrian just to keep from going into withdrawals…

RANDOM, YET AWESOME, PIC OF BRUCE LEE KILLING CHUCK NORRIS!

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