Azn Badger's Blog

What About the Lysine Contingency…?

Looking Forward To Sector 7

As anyone who’s read a few posts on this blog is probably aware, I have a weakness for monster movies.

Growing up, Godzilla was my biggest hero, and guys like Ray Harryhausen and Stan Winston’s name listed in the credits of a movie was enough to make me beg my parents to rent it for me.

If there was any genre of film I’d love to see return to the splendor of it’s past, it’d have to be the “Monster on the Loose” sub-genre.

The genre isn’t dead by any means, but mainstream releases are few and far between.

Thankfully, with the release of Cloverfield a few years back, and the impending release of both Super 8 (which may or may not include some sort of monster) and the new American Godzilla movie; it would seem my wish is well on it’s way to coming true.

Nice, but if it ain't got a man in a suit; it ain't Godzilla.

Running parallel to all this, is the curious emergence of South Korea as a major player in the monster movie genre.

Before the 2000’s, the only Korean monster movies I knew of were Pulgasari (which was NORTH Korean) and Yonggary, 2 movies I’m sure the land of Starcraft and Taekwondo would like to forget.

...Though they're probably still kicking themselves in the pants over the remake.

In the past several years though, movies like the uber-hit, The Host, the uber-expensive shit-fest D-War, and even the boar on the loose movie, Chaw have been produced in Korea, contributing some legitimate hits (and misses) to the ongoing renaissance of the South Korean film industry.

Which leads me to the film of the title of this post, Sector 7.

I posted an article awhile back professing my love, not just for monster movies, but more specifically for aquatic monster movies.

Given that Sector 7 takes place on an oil rig, and involves some sort of tentacled and (presumably) man-eating whats-it, it’s hard for me to deny that; even on paper, Sector 7 sounds like a must see for me.

Thankfully, the trailer seems to deliver the goods for the most part, with stellar production values, a neat location, and all without a clear shot of the monster in sight:

Call me crazy, but I’m one of those guys that really likes to be surprised by the big reveal of the monster in a movie.

Hell, I remember struggling, day and night; to avoid all the media hype surrounding Roland Emmerich’s Godzilla movie, just because I didn’t want to have the Big G’s appearance ruined for me.

Pictured: The sight that put the nail in the coffin of my childhood.

What a waste of my motherfuckin’ time that was…

Anyway, I really don’t know a whole lot about Sector 7 at this point, but the concept, neat sets, and promise of a nasty monster on the prowl have me itching in my boots.

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Filed under: Movies, Tokusatsu, Uncategorized, , , , , , , , , , , , , , , , , , , , , , , , ,

The Top 10 Manliest Man Moments #5: Godzilla Crashes the Party

Today we finally crack the Top 5 of the Azn Badger’s Top 10 Manliest Man Moments in movies!

While the majority of the MANLY moments leading up to this one have been highlights from various MANLY action star’s careers, today we’re going to be tackling a moment that belongs not so much to a MANLY MAN of MANLINESS; but rather a fictional character that embodies many of the same values.

Said fictional character is of course the walking symbol of nuclear holocaust, Godzilla.

FUCK YES.

Anyone who’s read a post or 2 from this blog is likely aware that Godzilla is, and always will be one my biggest heroes.

I’ve been watching the Big-G’s movies since before I could speak, and though he’s not exactly human; even at a young age I found I identified with him in some bizarre way.

Now, as many of you are aware, Godzilla is a character who has been portrayed by a number of actors, in a number of different ways.

In his earliest appearances as well as much of the 90’s, Godzilla was essentially a wild beast; a force of nature driven by a wholly reptilian brain.

Hey, just because Godzilla's MANLY doesn't mean his brain isn't the size of a peanut.

In the 60’s and 70’s though, as the franchise lightened it’s tone to appeal to youngsters; Godzilla began to take on a more human-like characteristics, both in appearance and behavior.

More importantly, the kid-friendly Godzilla was often portrayed as a hero; a factor that was largely responsible for securing his place on this list.

In that sense, it should come as no surprise that our 5th MANLIEST MAN moment comes from the 1975 Godzilla flick, and last of the original Showa era of films, Terror of Mechagodzilla AKA Mekagojira no Gyakushu AKA Mechagodzilla’s Counter-Attack:

Terror of Mechagodzilla is hands down my favorite Godzilla movie.

Directed by Ishiro Honda, the director of the original 1954 Godzilla; the movie pretty much has everything you could want in a sci-fi B-movie.

Seriously man, despite the title of the movie only listing 1 monster, Terror of Mechagodzilla included aliens, secret agents, the only instance of exposed boobs in Godzilla movie history, and 3 giant monsters for the price of 1!

The copy of the movie I had when I was a kid didn’t have the boobs, but rest assured; everything else listed above went a long way towards making me watch it every fuckin’ day of my youth.

In particular, I found that Titanosaurus, a rare “tooth and claw” monster in Godzilla’s gallery of rogues; did a lot to keep me coming back to Terror of Mechagodzilla as a kid.

"DuRR! I HaS a RaDiO TOWer!!! DuRR!!!"

I loved his unique, cackling roar, and how he was tough and scrappy despite being largely unable to handle the Big-G without tagging Mechagodzilla in every now and again.

In all, I have a lot of love for Titanosaurus, and am still surprised that this was the only film he ever appeared in.

Bearing a decidedly more severe and mature tone than most of the other 70’s Godzilla movies, Terror of Mechagodzilla is for sure a dumb enough movie for kids to understand; however it goes out of it’s way to do so without being condescending.

In addition to this, the movie also gets brownie points for serving as a time capsule for perhaps the gaudiest and most hideous examples of mid-70’s Japanese fashion.

Seriously man, if the lapels were any bigger in this movie the actors probably would’ve suffocated on the set…

My favorite character in the movie (besides Godzilla of course) was Jiro Murakoshi, the pimp-ass Interpol agent who I’d later learn stole his entire pimp-ass wardrobe from the Japanese apex of pimp himself, Golgo-13.

Cosmic...

I could go on an on about how awesome Murakoshi was, but in the interest of keeping this post at least a little bit focused; I figure I should move on to our MAN moment for today.

In all my years of watching Godzilla movies, I’ve found that the overall quality and tone of a Godzilla movie can often times be gauged by the awesomeness of Godzilla’s first appearance in the film.

As I mentioned earlier, Terror of Mechagodzilla is easily my favorite Godzilla movie; and as such, it also happens to be the film that bears his finest entrance sequence:

At this point in the movie, Mechagodzilla hasn’t been completed yet; so Titanosaurus is really the only monster we’ve seen in action.

Tearing his way through Yokosuka under the control of Akihiko Hirata’s Dr. Mafune and his daughter, Tomoko Ai’s Katsura; Titanosaurus easily routs the JSDF and makes his way towards the downtown area.

Meanwhile, the alien leader Mugaru played Goro Mutsumi consults with his right hand man regarding an incoming source of radiation approaching Yokosuka from the sea.

Pictured: HD TV in the 70's.

Concluding that this massive source of radiation can only be Godzilla, the aliens snicker to one another as they decide to let the monster make landfall and confront Titanosaurus in the hope that 1, or both will die in the resulting conflict.

We then cut back to Titanosaurus stomping through the city, causing incalculable amounts of property damage; when out in the distance an angry shadow emerges…

As yet another building falls to the wanton fury of Titanosaurus, out of nowhere a familiar beam of sapphire-blue fire streaks across the sky and knocks the long-necked beast the ground:

Smoke billows from the streets beneath Titanosaurus as the camera sweeps across the skyline to key in on the massive shadow in the distance.

An electrical crackle lights up the night sky as Akira Ifukube’s legendary score roars to life and the shadow emerges from the darkness, revealing the scowling face of our savior and hero, Godzilla!

Godzilla bearing his classic, "Angry Shave Monkey" look.

Seeing his would be opponent felled so easily, the King of the Monsters lets off a domineering roar, to which Titanosaurus can only respond with a reluctant whimper.

His challenge accepted, Godzilla enthusiastically bashes his knuckles together and bears his claws; signaling his urge to fight.

With that, the tension mounts as the 2 monsters square off in classic samurai fashion, only to abruptly slam into one another; sending a cloud of debris and dust into air.

Minutes later this sequence comes to an equally abrupt end as Dr. Mafune orders the retreat of Titanosaurus as a result of Katsura being injured during the engagement.

Watching Godzilla emerge from the shadows in such bad-ass fashion is a memory I’ll always treasure as one of the coolest things I’ve ever seen in movies.

Truth be told, the score during this sequence, and indeed the entirety of Terror of Mechagodzilla; is largely responsible for it’s awesomeness if you ask me.

Sure, the music played during this sequence is just the same old Godzilla march we’ve been hearing for the past 50+ years; however this particular version of it is one of, if not the strongest version I know of.

It’s slowed down a bit, with a deeper and harsher sound to it, lending the track a severity that is foreign in an otherwise colorful and energetic piece of music.

Anyway, this was MANLY moment #5, check back tomorrow for #4!

Filed under: Movies, Tokusatsu, Top 10 Manliest Man Moments, Uncategorized, , , , , , , , , , , , , , , , , , , , ,

Jimminy Christmas! 10,000 Hits!?

Holy fucking shit.

10, THOUSAND hits?

Wasn’t it less than a month and a half ago that we were celebrating the 5,000 hit milestone?

I don’t know what’s changed, but in the past week or so has been nothing but peak day after peak day.

For whatever reason, the hits have come flooding in as of late, and for that, I am truly thankful.

To all who have stopped by from time to time, thanks a bunch.

With 10,000 hits (and change) now firmly under my belt, I feel I’ve reached an important turning point in the progression of this blog/writing project of mine.

By that I mean, it may be time to expand and do more than just write articles everyday.

Some of my coworkers suggested, and in fact offered to participate in the production of a podcast.

I know what you’re thinking:

“A multimedia Azn Badger’s blog?  Surely you must be crazy…”

Gary Busey: A Man All About "Crazy."

I’ve never done a podcast before, but I am sincerely intrigued by the prospect of making one, so expect streaming audio goodness in the near future.

In addition to this, my brother, upon hearing that I’d reached 10,000 hits, was quite adamant about me investing in my own website.

His feeling is that, now that I have a proven audience, and some degree of presence on the internet, I should take advantage and create a formal hub for all of my work.

Doing so would allow me greater flexibility, and domain hostings aren’t all that expensive, so I think I’m actually gonna’ do it.

It’ll take some time to get it looking/working right, and it’ll probably be a pain in the ass for a month or 2, but in the end I think it will be a good investment.

Anyway, no apologies this time, ’cause frankly I think I’ve done pretty well for myself the past 5,000 hits.

Thanks again for reading!

See yah’ tomorrow.

Filed under: Movies, Tokusatsu, Uncategorized, , , , , , , , , , , , , , , , , , , , , , , , , ,

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