Azn Badger's Blog

What About the Lysine Contingency…?

Bane + Christopher Nolan = I Love You Christopher Nolan

It finally happened folks.

Bane has been officially cast for Christopher Nolan’s next, and likely last; Batman film, The Dark Knight Rises.

When I first read about it, I was floored.

I, along with God knows how many comic fans; have been asking for Bane in every Batman film since his debut in Knightfall.

 

And no, THIS doesn't count.

He’s one of my favorite villains in Batman’s pantheon, and I have no doubt that Nolan will do him justice in bringing him to the silver screen.

Curiously enough, Tom Hardy of Nolan’s Inception; is cast as the titular South American juicing genius.

While I honestly don’t see Bane in Hardy at first glance, my perception of his as an actor is strictly limited to his performance in Inception, so I don’t think it fair of me to pass judgment based on that alone.

Even so, Hardy’s physical presence seems rather puny when compared to the hulking physique of the character, not to mention I’d be curious to see if he’ll be able to pull of a South American accent, but these are questions that only come to mind given my love for the character.

 

... Tom Hardy everyone!

Aside from the glee that shoots through my heart as I think of how awesome it’s going to be to see one of my favorite comic villains brought to life on the big screen, the best part of casting Bane for The Dark Knight Rises, is the fact that his character brings a very different dynamic to the mix.

Batman Begins and The Dark Knight featured numerous villains of Batman’s gallery of rogues, however with the exception of perhaps Ra’s Al Ghul, none of them stood as physical match to the caped crusader.

I like you Carrey, but Batman would turn your face inside out with one punch.

While Bane has shown (in the comics) that he is very much on par with Batman in terms of intelligence and cunning, the element of his character that stands out the most is that he is physically as strong as, or stronger; than Batman.

Aside from Amygdala, Killer Croc, and maybe a few others, Batman rarely has to contend with opponents that physically outmatch him, let alone one’s that can count to 5.

Man, I love that clip…

Much like how I’ve been waiting (and continue to wait…) for another Superman film to cash in on the amazing success of the wholly under-appreciated Superman II by giving him villains he can slug it out with, I’ve spent much of my life waiting for a Batman film to put him up against someone that can duke it out with the dark knight.

As my “Sequential Visual Narrative” teacher once told me:

“Superman is only fun when he has something to punch.”

Which is why this FAILED and should have been titled: "Superman Lifts Progressively Heavier Things"

While I’m of course excited to see what Christopher Nolan’s script has in mind for Bane, the comic fan in me can’t help wonder/worry how Tom “Fish Lips” Hardy will do when it comes to embodying the beast that is Bane.

As evidenced by Nolan’s casting methods since Batman Begins, he’s a man very much keen on casting his films with actors he’s comfortable/familiar with, or failing that; lots and lots of English people.

Seriously man, you try an’ count how many actors in his movies come from across the pond, and you’re likely to run out of fingers and toes.

Oh well, it’s probably a comfort thing; and based on his success in the industry up to this point, I’d say it’s working for him.

Anyway, Catwoman has also been cast for The Dark Knight Rises, with Anne Hathaway filling the role.

Anne Hathaway's Eyes: The Only Thing That Can Compete With Jennifer Garner's Forehead in terms of hogging a shot.

She’s a decent actress, and definitely has a way about her that seems appropriate for Selina Kyle; however aside from Michelle Pfeiffer’s multi-faceted performance in Batman Returns, I bear no love for the character whatsoever.

Honestly, as of this point I’m on board for The Dark Knight Rises for Bane and Chris Nolan; that’s about it.

Oh yeah, and Michael Caine, ’cause he’s fuckin’ pimp.

Michael Caine on any given Thursday. That's your mom on the left, by the way.

Anyway, that’s it for today, hopefully you’re all as excited/elated as I am for this one!

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Batman’s New Threads

I was clickin’ around on IGN earlier today, when I noticed an article in their comics section entitled, “Batman Has A New Costume.”

Being a Batman enthusiast, I naturally clicked it, half-expecting some sort of shocking redesign along the lines of Batman 500 AKA the Jean-Paul Valley Batman from the Knightfall story arc.

Pictured: The EXACT image that got me into comics in the early 90's.

You see, though I admittedly haven’t followed Grant Morrison’s recent work on the Batman series, least of all the death and return of Bruce Wayne portion of it, with all of the outlandish Batman costume designs being thrown around as of late, I figured we were due for even more craziness.

Goddamnit! I hella' wanna' hate on this image for being dumb, but it's so damn awesome!

Color me surprised when I discovered that not only was the costume redesign a helluva’ lot more tasteful than I was expecting, it was also done by Moon Knight and, *sigh…* Messiah Complex artist David Finch was responsible for it.

As beautiful as his art can be, GODDAMN YOU DAVID FINCH FOR TRICKING ME INTO READING MESSIAH COMPLEX!

That being said, let’s take a look at Mr. Finch’s work:

ART.

I have to say, not just as a David Finch whore, but as a Batman fan in general, I really don’t mind the new costume.

Most of the changes are quite subtle, with some elements, such as the classic; almost Tim Burton Batman-esque yellow chest emblem, actually being recycled elements from previous designs of the Bat-Suit.

Keaton Batman: The Finest Batman the Silver Screen Has Yet to Produce.

In some images I’ve run across, it seems apparent that DC was trying to cash in on the recent mega-success of the Arkham Asylum videogame, as both the beefier arm guards/gauntlets, the bulkier and more heavily ornamented utility belt, and the molded seam-lines of the suit seem very similar to the art style of the game.

No, the Joker is not about to suck Batman's cock. Buncha' dirty sickos...

Which reminds me, I simply have to play Arkham Asylum at some point…

The seam-lines I mentioned above are probably the one aspect of the design that I’m on the fence about.

How appropriate that that just happens to be the single most noticeable change from the current status quo.

To me, the best Bat-Suit designs have always been the ones that take advantage of the 2D, pen and paper medium.

Blue Batman = THE SHIT.

In comics, the artist has the ability to manufacture images of characters without having to take into consideration the physical properties of whatever materials their costumes are made of.

Depending on the artist’s sensibilities, or the mood of the story, Batman’s cape and cowl can be rendered as smooth and voluminous as silk, or as heavy and lustrous as leather.

Kind of like Spawn! You're not allowed to ask "why," you just kind of accept it...

In comics, Batman’s costume usually looks best to me when it’s portrayed as a skin-tight presence surrounding the character.

To me, Batman usually looks best when he isn’t so much wearing a Bat-Suit, as he is embodying it.

Jim Lee’s Batman always struck me as a fantastic, if not ludicrously beefy design.

Jim Lee's Batman is so fucking beastly, it should be spelt "Bat-MAAAANNN."

Aside from the utility belt and heavily detailed boots, every element of Lee’s Bat-Suit strike me as essentially being a part of Bruce Wayne’s anatomy.

At the same time though, I have to say I was very impressed with Lee Bermejo’s rendering of the Bat-Suit in Brian Azzarello’s excellent Joker graphic novel.

Not from Joker, but close enough. Did I mention this art is badass?

Essentially at the other end of the spectrum in terms of costume/character design, Bermejo’s extremely realistic renderings resulted in a Bat-Suit of tangible weight and bulk, so much so that it truly seemed like a suit of armor.

Not only that, but Bermejo’s design of Batman’s cape was truly striking, as it appeared leathery and almost obscenely heavy, such that it assisted in portraying the character as being almost inhumanly powerful and omniscent.

I’m rambling.

To sum up, Finch’s design of the Bat-Suit is honestly only a mild departure from the status quo, but it’s amazing how much an impact a few seam-lines can make.

Personally, I find the new design to be, how shall we say; “acceptable,” I wouldn’t be surprised if those seam-lines get the axe somewhere down the road, as honestly I find them to be somewhat distracting.

Much like pie... If anything can stop me in my tracks, it's the sight and/or smell of a delicious pie...

To me, it’s almost as if Finch is trying to straddle the line behind the Christopher Nolan movie’s Bat-Armor design, and the comic’s traditional Bat-Suit, with the end result being a costume that appears almost flight suit-ish.

So what if Batman has brown-guy hands. I'm lazy, so sue me.

While I find the design to be acceptable, I’ll end by saying this:

I’d take Jim Aparo or Jim Lee’s streamlined Bat-Suit over David Finch’s Bat-Flight-Suit any day.

That being said, here’s one more look at it for the road:

Cool enough, but nowhere Bat-MAAAANN levels of MAN-liness.

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Favorite Cover Artists: Francesco Mattina

Mattina does Batman.

While I can’t say I know a whole lot about Francesco Mattina other than the fact that he’s Italian, I do know this:

He makes some damn spiffy comic book covers.

While it must be said that he isn’t the most flexible of artists, as he’s been utilizing essentially the same style/aesthetic for as long as I’ve known of him, when it comes to what he does, there aren’t many that can challenge him.

Yes, not even the hairy Canadian.

So, I guess you’re probably wondering, what is it that Mr. Mattina does?

Put simply, he does artwork of the “darker” variety.

He does gritty:

DAMN.

He does awesome:

DOUBLE-DAMN!

And more often than not, he does it all while sticking to the dynamic and macho figure renderings and poses that have embodied superhero comics since their inception.

Thank you Google Images for lising Razor Ramon under the search terms "dynamic machismo."

Despite this though, one of the key strengths to his artwork, is his eye for composition.

Much like Marko Djurdjevic, (who will most certainly be making an appearance in this series of posts) Francesco Mattina quite obviously has a background in graphic design, resulting in the vast majority of his covers being eye-catching not just for the gorgeous artwork, but also for the creative and enticing layouts.

Take a look at this for example:

I know, it's Deadpool. Stop sucking his cock, fanboy. He's not THAT cool...

Aside from his compositions, his color work is flat-out amazing.

Most of his work has a sort of metallic looking sheen on it that gives everything a unique and lively look that emphasizes motion and atmosphere.

A little bit TOO Michael Bay Transformers-ish, but still cool nonetheless.

I also appreciate how, much like Ivan Reis and Ethan Van Sciver, Francesco Mattina also favors a slightly more realistic approach to the anatomy of his characters.

Not only that, I also find myself consistently impressed by some of his interpretations of certain character’s costume designs, as his photo-realistic style forces a level of detail that results in many of the costumes being rendered in a more believable, and therefore, practical; fashion.

Azrael, looking absolutely the best he ever has.

On a completely unrelated note, I couldn’t help but notice that his interpretation of Nova’s armor is alarming close to Richard Gyuo’s from Guyver:

Nova...

Gyuo...

Anyway, I first ran across Francesco Mattina when I was first considering getting into the Thunderbolts comic.

Truth be told, Mattina and Marko Djurdjevic’s work on that series was probably the biggest deciding factor in me picking up that book.

I’m oh so happy I did.

Anyway, I’m running out of steam, so I’ll just finish with this awesome, and brand spankin’ new Moon Knight cover:

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