Marvel Comic’s Moon Knight is fucking badass.
Until recently, Moon Knight was always just a niche hero to me, a cheesy Batman clone with a cool costume and D-List villains to go with his D-List superpowers.
Moon Knight's gadgets range from a spermicidal bodysuit, to a portable stripper pole.
By the way, his “powers” consist of augmented strength in synch with the phase of the moon.
Oh yeah, and his “powers” don’t work anymore.
And his fighting technique is described as “hurting peoples fists with his face.”
Kind of like these guys.
So why is it that I like Moon Knight anyway?
About a month ago, I read my first Moon Knight story, and I’m kicking myself for having waited so long to do so.
It wasn’t until November 2009, when I saw Jerome Opena’s incredible interior artwork in the current “Vengeance of the Moon Knight” series, that I made the conscious decision to find a nice jumping off point to start reading Moon Knight.
Yeah, it's cheesy, but goddamn I love it!
Hell, I figured that, if the art was that good, Moon Knight had to be doing something right over the years.
My first Moon Knight story came in the form of the Charlie Huston’s 2006 relaunch of the series, “The Bottom.”
“The Bottom” was a violent and gritty character study of Marc Spector AKA Moon Knight.
Marc Spector: The Avenging Hobo.
Let it be known, that when it comes to “violent” and “gritty,” David Finch’s artwork is a perfect match.
Oh yeah, make sure to add “stylish” to that pile of adjectives too, ’cause yeah, Mr. Finch does stylish, and he does it well.
Even when he’s drawing stuff for that pile of ass-fuckery, X-Men: Messiah Complex.
Pictured: Messiah Complex.
Seriously, fuck Messiah Complex.
Fuck it with fire.
And rhinoceros cock.
And a dental dam.
ANYWAY, “The Bottom” begins with Spector crippled and dispirited due to horrible injuries inflicted on him by his lifelong nemesis, The Bushman.
You see!? THIS is what happens when you give cocaine to Joe Pesci!
The Bushman and Spector were originally partners in crime in a mercenary unit during the Gulf War, (in the original, 1970′s version, they were in Southeast Asia) however due to moral differences, they’ve been at each others throats ever since.
In any case, Bushman throws Moon Knight off a roof, shattering his legs in the process.
No way in hell this guy didn't get paid to take this photo. Douche-Rocket...
Despite this, Moon Knight manages to stay in the fight long enough to, literally, cut Bushman’s face off.
"I want to cut his faaaaaace... Off."
Did I mention that Moon Knight was badass?
It was moments like this that cemented my love and appreciation for Moon Knight.
That and the fact that Moon Knight is perhaps the only “superhero” I’ve ever read, that was completely bat-shit crazy.
I mean, check out his bio:
He’s a former mercenary that hated his father, got shot to shit in the Middle East during the 90′s, then found himself brought back from the dead to serve as the earthly avatar for Khonshu, the Egyptian god of the moon and, apparently, vengeance.
At least that’s what he thinks anyway.
As Moon Knight, Spector is unforgivingly brutal and over-the-top in how he handles criminals.
Trust me, that red shit ain't strawberry jam...
Early on in The Bottom, Spector makes a side-comment regarding his status as a street-level crime fighter, something along the lines of:
“Someone has to do this, someone has to do the fun stuff.”
That sums up Moon Knight pretty well.
He’s the living embodiment of vengeance.
He regards the very concept of it as spiritual, holy.
To him, busting heads and cutting bitches, no matter how inconsequential or petty, is like going to evening mass.
Mr. Ike Turner here knows what I'm talkin' 'bout.
I gotta’ say, it feels sick of me to think it, but I love reading Moon Knight, because deep down I know his moral compass, his concept of justice, are both totally fucking wrong.
Try saying that about your average superhero.
"Superman, you're WRONG! You're... Oh, I can't stay mad at you Christopher Reeve. You handsome devil, you."
In “The Bottom,” Huston cleverly makes use of the fallen (and still faceless) corpse of The Bushman to serve as a representation of Khonshu’s influence on his thinking.
Think it as an homage to the “Jack” character in An American Werewolf in London.
Oh Jack, you were alive what, 10 minutes of the movie?
Spector’s interactions with Khonshu serve as a highlight to the story on many levels.
From them, we learn that Spector is conflicted with his identity as Khonshu’s servant, as well as the fact that Khonshu may or may not be a manifestation of Spector’s own mind.
From what I’ve read, Marc Spector was originally written as having multiple personalities, and in many ways, I feel that Charlie Huston managed to do more by simply alluding to this, than in actually implementing it as a plot point.
In The Bottom, we learn that Spector’s support system, his Alfred Pennyworth and Barbara Gordon, have left him due to his “retirement” and general lack of self-worth.
And if THIS is the only way you know these characters, you can go right ahead and continue to suck cock.
If you don’t know who either of those two characters are, get the fuck off my blog.
Seriously folks, it’s fucking Batman.
If you don’t know FUCKING BATMAN, then congratulations, your life has been a big waste.
Anyway, back to Moon Knight…. Yah, bunch of retards.
For the most part, I was very impressed by Charlie Huston’s handling of the ancillary characters in Moon Knight’s universe.
From his use of them, I felt I got to know them, and their respective histories with Marc Spector, without them ever having to come into play in the main storyline.
By stories’ end of course, Marc Spector again assumes the mantle of the Moon Knight, leading to a confrontation with a stunningly original villain, The Profile, who has the ability to literally “read” people with pinpoint accuracy.
Now THAT, is one sketchy motherfucker. Seriously, he looks like a cross between Hunter S. Thompson and Donnie Brasco. Oh wait, that's Johnny Depp.
Oh yeah, and the always enjoyable Taskmaster also makes an appearance as during the climax of the story in a rare, action-heavy role.
Goddamn, Taskmaster is pimp...
Despite the bombast of the Moon Knight’s return to ass-kicking form, the ending ultimately turns out bittersweet for our hero, as he finds himself still under Khonshu’s thumb, friendless and without even himself to trust.
Unlike THIS GUY. THIS GUY knows EXACTLY what he's doing...
“The Bottom” was a riveting experience that goes all too well with my collection of MAX Punisher and Thunderbolts books.
Violent, and full of questionable morals and stellar artwork to boot, Moon Knight is fucking awesome.
These days I’m reading “Midnight Sun,” the second volume in the 2006 Moon Knight series.
And so far, I’m still loving it.
Charlie Huston drops off as writer after this volume, as does artist David Finch, so I’m not sure the series will retain it’s quality after this point, but even so, I’ll be happy with just the two books regardless.
My “Moon Knight Plan” after reading “The Bottom” was always to read Huston’s work, and then move on to the first arc of the brand new “Vengeance of the Moon Knight,” then maybe give the new Secret Avengers a try.
After all, “Vengeance” apparently deals with the resurrection of The Bushman via the combined efforts of The Profile and The Hood, so I guess by the time I start reading that, I’ll be all caught up anyway.
Yup, it's true, nobody stays dead in comics.
Anyway, enough gushing and comic bullshit, have a good night everyone.
Hopefully we’ll hit 500 hits tomorrow, that’d be a milestone worth celebrating, right?
With that, I leave you with this awesome (and officially published!) Moon Knight cover in which our heroes battles a pair of Luchadores.
In a word: AWESOME.
Filed under: Comics, Uncategorized, Alfred, Barbara Gordon, Batgirl, Batman, Bushman, Charlie Huston, Comics, David Finch, DC, Jerome Opena, Khonshu, Marvel, Messiah Complex, Moon Knight, Secret Avengers, Superman, The Hood, The Profile, Vengeance of the Moon Knight, x-men